Are you tired of reality TV stereotypes like the Desperate Bachelorette, the Angry Black Woman, and the Douchebag Dude? If you said yes, then here's another question: Have you been watching Jenn Pozner's new web series Reality Rehab with Dr. Jenn? If not, you're missing out on some great media criticism (and some entertaining videos). Each episode of Reality Rehab interrogates a different reality television stereotype (good thing there are lots to choose from). Check out the trailer:
In Two Friends, leads Emma Coles and Kris Bidenko deliver nuanced, ingenuous performances as polar opposites Louise and Kelly. The movie documents the dissolution of their childhood friendship following Louise's acceptance into an elite girls' academy that Kelly's stepfather refuses to let her attend. I chose 1986's Two Friends for a few reasons. Its status as an Australian TV movie is exceptional, though it screened at the Cannes Film Festival as well. Helen Garner's script unfolds in reverse chronology. Though she only wrote a few screenplays, Garner has since enjoyed a long career in her native Australia as a novelist and journalist. Finally, as a follow-up to Campion's breakthrough short film, A Girl's Own Story, Two Friends is one of Campion's few films to foreground the fragile nature of adolescence and female homosocial bonding. Typical of her output, it does so with nary a hint of condescension.
Not long ago, I got into a conversation on Twitter about why feminists love Bruce Springsteen. Of course I can't speak for all feminists or even most feminists, but I can certainly discuss my love for Springsteen. And it seems only right to follow talk about Johnny Cash and U.S. politics with discussion of the other oft-misappropriated American blue-collar icon who's a major influence in my life.
The 2010 midterm elections are over. Well, for the most part. It may be a while before all of the ballots are sorted out in the Alaska Senate race, and there's a recount in North Carolina for a House seat, making nine as yet undecided races in that legislative body. And while Washington, DC may be getting prepared to do the staffer's office shuffle, there is still a lame duck session or two for Congress, a host of court cases coming to the Supreme Court, from which new Justice Kagan will frequently have to recuse herself, and some unfinished business on the Don't Ask Don't Tell front, otherwise known as the Clinton legacy that won't go away. I mean, the other unforgettable legacy of his.
In Make Your Place: Affordable, Sustainable Nesting Skills, Raleigh Briggs writes about how DIY activities that take place in the domestic sphere don't seem as legitimate as, say, bike repair. But after teaching a class on herbal first aid and natural housekeeping, she came to realize how important it is that natural housekeeping is taken seriously within the DIY community.
On my way to the office I saw an honest-to-God hummingbird darting around a Northeast Portland front yard. In early November! It was all-too-apropos for this week's Bitchtapes playlist, which features ten songs about our fine feathered friends. Tracklist after the jump!
As always, it's been a pleasure blogging here at Bitch, but my time entertaining you with excessively wordy opinions on feminism and television has come to an end. There are some ways in which the end of this gig will mean an increase in my quality of life. Being a TV nerd, even being paid to be a TV nerd, has its personal costs: the cable bill, abnormally high wear-and-tear on the couch and one's sweatpants, the wiggling out of social encounters because you "really have to keep up with" Teen Mom. The endless watching of all the crappy new shows in hopes one of them will provide fodder for a blog post.
(For example: I'm never getting back the time I spent on Running Wilde or Outlaw, or pondering how to spin the Demi Lovato rehab story into a commentary on television. Those posts will just have to remain unwritten.)
Today's entry is the first in the series to focus on the work of a female director. In the coming weeks, we'll discuss contributions from filmmakers like Jane Campion, Catherine Breillat, Deepa Mehta, Rachel Raimist, G.B. Jones, Lynne Ramsay, Julie Dash, and Courtney Hunt, among others. But Argentinian writer-director Lucrecia Martel more than deserves her place in that list of auspicious talent, as she demonstrates with 2008's haunting La mujer sin cabeza.
A record number of women—262, in all—ran campaigns for the House in the 2010 midterm elections. Despite this wave of women, fewer will be in the House once the 112th Congress begins than were in the 111th. 75 women will take their seats in the voting body, many of them for the first time. Here is a look at several first-year Representatives. On the Senate side, 36 women ran campaigns—also a record—and four were elected, keeping the total for women in the Senate at 17. There will be, notably, no African-American Senators when the new Congress begins in January. What issues will the newest female members of Congress bring with them and what might it mean for feminist political strategists and women?