People with disabilities have long had difficulty accessing video games for various reasons and with varying degrees of limited accommodations. Game play details ranging from color schemes in darker settings to story lines and fight scenes that can overwhelm cognitive understanding have left many games out of the question. Controllers have been too difficult or impossible to use, and the mechanics too fast or the quest chains too long and tangled. The canyon of hardcore games almost seemed, at times, to bar disabled gamers from their guild.
Last week, a good (lesbian, childfree, professor) friend sent me an article from an issue of the Palgrave MacMillian journal Feminist Review from 2003. I've tended to stay away from these sorts of pieces in this series because I don't assume I'm writing for a specifically scholarly audience. That said, the article is a great overview of some dense, theoretical issues facing childfree feminist women, specifically in the scholarly research/analysis context, and I thought it was worth mentioning.
Each month in our nifty newsletter (sign up on the homepage if you haven't already), we'll be polling Bitch staffers and readers on their top five in different categories and posting the polls and results on the Bitch blog. This month, it's frontwomen whose talents we wish we possessed. So c'mon, give us five!
As you may know, this month marks Feminist Coming Out Day 2011, a holiday which encourages awareness of issues affecting the feminist community. We're super excited and honored to be a part of this year's festivities, and we recently spoke with organizers Lena Chen and Abby Sun to find out more. Read on for their answers!
The concern that casual games are going to ruin the gaming market plays on a couple of assumptions: 1) That "hardcore" means "difficult," something that only a veteran gamer of many years should be able to play intuitively, and should only appeal to that certain narrow demographic. 2) That hardcore and casual gamers are two ends of a wide canyon and they shall never cross the divide into local co-op mode.
Alison Bagnall's The Dish and the Spoon opens with Rose (Greta Gerwig) despondently crying as she drives to the beach—clad in pajama bottoms, a boxy coat, and knit cap—after discovering her husband's infidelity. Taking refuge from the winter air in a WWII watchtower, she discovers a young British drifter (Olly Alexander) shivering inside.
Like many connoisseurs of young adult lit, I've been excited and wary about the upcoming film adaptation of Suzanne Collins' The Hunger Games. On Friday, I greeted the news that Jennifer Lawrence had nabbed the part of protagonist Katniss with nothing but dismay. Now, I didn't like Winter's Bone as much as many seemed to, but Lawrence's performance was powerful, and I'm sure she's capable of the emotion necessary to play the mockingjay.
Here's the thing, though: In the books, Katniss is clearly not white.