Guinevere Turner first made a name for herself with her debut film, Go Fish, cowritten with director and then-girlfriend (although they broke up mid-shooting) Rose Troche. Turner went on to direct many short films, wrote for The L Word (and played the elusive heartbreaker Gabby Deveaux), not to mention cowriting the scripts of American Psychoand The Notorious Bettie Page.
Turner is now working on her feature length directorial debut with Creeps, a film about a chosen family of somewhat aimless twenty and thirty-something friends living in L.A. in the nineties. I had the privilege of interviewing Turner about Creeps, and the ongoing Indiegogo campaign to crowd-fund the project—it's over in four days!
• Young Lakota, which tells the story of three young activists on South Dakota’s Pine Ridge Reservation, is premiering November 25th. Check out our review of the documentary in our new Food Issue! [Racialicious]
There’s a trust inherent in buying something from a store. If it’s for sale, it must be safe. While that’s mostly true in many industries in America, it’s not the case for one surprising sector: sex toys.
The National Coalition of Anti-Violence Programs tracks anti-LGBTQ violence in the United States and puts together an annual report that builds understanding of both the violence LGBTQ people deal with as well as the difficulties of accurately gauging the widespread problem. Here are three charts from the most recent report that shine some light on this complicated reality.
It's that time of the year again... time for the new print issue of Bitch magazine! This winter, our long-awaited Food issue is hitting mailboxes and and newsstands around the world. (Not hitting yours? Subscribe today!)
We're so excited to share this issue with you (so excited that in Portland we're throwing a party—and you're invited!). We've got 80 pages filled with tasty morsels: from celebrity chef TV, to art so good you could eat it, to the politics of the food labor movement. There's a lot to sink your teeth into, and we've posted a few articles online to get you interested.
Soleil Ho shares a personal essay about cultural appropriation and cuisine in "Craving the Other." Activist and spoken word poet Kay Ulanday Barrett shares his thoughts on how food can build community in "Food from the Cusps." We've got an interview with the hilarious Samantha Irby, who discusses her new book Meaty in "Eating Out." We've got a discussion of the bitter-tasting sexism of the specialty coffee industry,"Steamed Up." And last but not least, Lindsay Zoladz delves into the 1960s teen girl group She.
The Hunger Games: Catching Fire, the second film from the Hunger Games adaptation, hits theaters nationwide this month. Given the film’s aggressive and elaborate marketing campaign, it’s pretty hard to miss.
So, when I saw the giant banner featuring Jennifer Lawrence as Katniss Everdeen plastered in a Hot Topic’s storefront, it didn’t surprise me one bit.
This past week, cartoonist Tess Fowler has shone a spotlight on a troubling aspect of sexism in her professional comics community: sexual harassment. Fowler tweeted about being harassed at a comics convention, at first not naming the guy who did the harassing. But after receiving notes from three other women saying they’d had an unsettling experience with the same guy, Fowler revealed the alleged harasser to be Brian Wood, who writes Marvel’s best-selling all-women X-Men series.
What does the future hold? Afrofuturists explore this question using various creative mediums (including science fiction, visual art, and a lot of great music) as both an artistic aesthetic and an expression of critical race theory, imagining the future and reexamining the past with the lens of African diaspora. As author Ytasha L. Womack says, “Afrofuturism is where the past and future meet.”