Sometimes it might feel impossible to find women playing psychedelic, synthed-out tunes. Here are some stand-out tracks that deserve more play. Get your dream pop, shoegaze, and your slow-burn noise tracks here. Warning: the last track is 15 minutes that you will not regret.
I'm powerful. I'm fabulous. I'm unashamed. I'm a boss-ass bitch....most of the time. No matter how much I have been empowered, I seem to come back to my cup size, or lack of it. I love myself, but I can't escape the feeling that I need to be larger for acceptance. The hard part is that women cause me to feel this way as much as men do, the eyes that go up and down, sizing competition and establishing beauty.
I got hooked on Devious Maidswhen it premiered last year a for good reason: I was excited to see so many Latina actresses in their 30s and 40s engaging issues of race, class, and gender within the soap opera formula. As part of the Lifetime Network brand, I didn’t expect deep and subtle storytelling, I expected fun, sexy, romantic, sentimental and overly dramatic camp. And I got it. While there was much to like about the women in the initial episodes, I became quickly disillusioned with the show.
Witches of East End is one of many current TV shows about supernatural phenomena. But unlike other shows that deal with otherworldly forces, Witches of East End—which is currently airing its second season on Lifetime—illustrates an important real-life history lesson: how one of society’s favorite ways to persecute women and justify violence against them has historically been to brand them as witches. The series reminds us how patriarchal cultures vilify women who are considered too capable or independent.
If the glossy pages of my elementary school history books had told me stories like that of Grace Lee Boggs, I would have paid more attention. Like me, Boggs is Asian-American who was born to immigrant parents—if I’d learned her story growing up, I might have felt invested in our country’s history instead of feeling disenchanted by it.
Australian duo Luluc at home onstage in Sydney earlier this year.
On one of the hottest days of the summer, I plugged in my headphones and turned on Luluc’s new album Passerby. It was 90 degrees in my office and the air was stagnant, but as the first song kiceds in, I felt like I was drinking rosé on a porch swing, a cool breeze wafting through the foliage over my head.
Cosplayers at San Diego Comic-Con in 2012. Original photo by Pat Loika, via Creative Commons.
It’s hard for comic conventions to shake the idea that they’re the sole domain of people who look like the Simpsons' Comic Book Guy. In reality, comic conventions are attended by an ever-growing number of female fans: Female attendance at New York Comic-Con has grown 62 percent over the last three years alone, making women to 41 percent of total attendees. As the number of female fans attending cons has grown, so have conversations about harassment in the comics industry and at conventions specifically.