In her 2011 music video for "Yankin," the rapper Lady does whatever she pleases.
On September 29, the U.S. metal band Mastodon unleashed their video for “The Motherload,” a gratuitously twerk-tastic romp featuring women of color dancing against a Nine Inch Nails-esque backdrop. The backlash followed soon after, and when reached for comment, drummer Brann Dailor said he did not see the sexism of the video, saying that the band sought only to make something “fun” and “bizarre.”
It’s October—the leaves are turning yellow, porch ornaments are coming up pumpkin orange, the first frost is sparkling silver, and everywhere I turn the sight of pink ribbons affronts my sensibilities.
The premise of Pride sounds like a slog: the film by British director Matthew Warchus follows a London gay and lesbian group’s fundraising campaign for mine workers who are in the midst of the nation’s longest-running strike. But instead of being a gray grind, the movie is a joyous parade.
As Geek Girl Con hits Seattle this weekend, celebrating the rise of an inclusive female fandom, I want to take a look back at an early women-created comic that has been largely overlooked despite all current focus on the history of women in comics.
When Lyn Chevli and Joyce Farmer first began publishing a called Tits & Clits in the early 1970s, they knew their comics were radical.
For this week's feminist mixtape, we're all about Norwegian lady jams.
DJ Ingebling from the Norwegian DJ collective Too Many Girls put together this mix of Norwegian singer-songwriters, jazz, folk, noisepunk, skwee, pop, and electronic music from 1968 to 2014. Too Many Girls is an Oslo-based DJ-collective with an unlimited number of members. They donate the surplus of their gigs to charitable causes—check 'em out on Tumblr.