Why is it that white men in America are paid more—on average—than women and people of color in every single state? We dig into the realities behind the wage gap with help from three all-stars. First Lilly Ledbetter explains how it feels to fight your employer for equal pay all the way to the Supreme Couty. Then, journalist Sarah L. Jaffe breaks down the myths of minimum wage. Finally, author Sheila Bapat explains the racist and sexist history behind our country's failure to pay domestic workers fairly. Tune in.
This show features the song "Workin' Woman Blues" by the fantastic Valerie June.
More ways to listen and a transcript of the show are below the cut.
Whether they’re keeping busy as mistresses of all that is evil or simply threatening to get you and your little dog, too, bad witches in film have it rough. Hollywood’s villainous witches are often driven to cruelty by the sheer power they wield. More than that, they’re often portrayed as figures of irrational hysteria next to their cool male counterparts. But tired portyals of witches on-screen get a refreshing shock this summer: Disney’s new dark fantasy, Maleficent, succeeds in complicating the image of the bad witch.
I constantly find myself putting forth the argument that men get paid more for the same job as women—and although I have research, I still find that people, even women, tell me that I'm wrong and that the Census bureau takes all jobs into account and blah blah blah.
When it burst onto the small screen last summer, Orange is the New Black quickly catapulted women's incarceration into pop culture consciousness, becoming most-watched of Netflix's series of 2013. As media has been buzzing about the all-at-once release of season two this Friday—speculating on plot development and characters—the real-life Piper Kerman has also been busy.