Assassin’s Creed is an extremely popular video game—but it doesn’t let users play as a female character. Originally, development company Ubisoft planned to include a female playable character in the new version of the game, Assasin’s Creed Unity. But when the new game’s big launch came last week at E3, fans were disappointed to find that the new version still includes no female players.
When I was 10 in October 1985, “Jem and the Holograms,” an animated half-hour program about an all-girl band, made its debut. I was all about it. Now, almost 30 years later, Jem and the Holograms are staging a comeback, via a new live-action movie, announced this March and set to premiere in 2016.
I was well into my thirties when my partner of six years and I signed ourselves up for parenting. And I mean signed up literally. Since we are in a same-sex partnership, we didn’t have the benefit of sperm whenever we wanted, so we opted for the foster care/adoption route.
Michelle Sternberger is a chiptune artist—she makes intricate electronic music using retro gaming consoles and 8-bit computers.
To mark the release of a new album featuring her songs, Tribute to Depeche Mode: Enjoy the Science (which came out June 10th from chiptune collective 8-Bit Operators), Sternberger made this 8-bit mixtape especially for Bitch. That's her dishing up a baking tray of Gameboys on the cover of the mix, which is a collection of songs from Sternberger's two bands, ComputeHer and 8-Bit Weapon, as well as songs she chose to highlight from 8-Bit Operators' work. Sternberger used a Commodore 64, Nintendo Entertainment System, electronic drums, and vocoded vocals to make the songs on this tape. One of the highlights: her chiptune version of Depeche Mode's song "Strangelove."
I don’t know if it’s a truth universally acknowledged that a woman in possession of a box set of Austen novels must pass on her love of Pride and Prejudice to her children, but it was certainly true in my family.
If you've already seen the new, Sundance-anointed comedy Obvious Child, you'll likely agree that it's the romantic comedy many feminists have long waited for—talky, sweet, and fearless; entirely relatable; offering humanity and fart jokes with equal aplomb. There's no reason to think of it—as many of us do with rom-coms—as a "guilty pleasure." It's just a pleasure, full stop, and one that has the potential to finally clue Hollywood in to what female moviegoers want to see onscreen.