As 2010 draws to a close, it’s the time of year that nonprofits ask for donations. Bitch Media is no different; we need ongoing financial support. Usually, we would ask you to make a gift after telling you why you should support us. However, Bitch Media is lucky. We don’t need to tell you why Bitch is important because we can let our supporters tell their own stories. This week, RMJ, subscriber and contributor, explains why she ♥s Bitch.
As 2010 draws to a close, it’s the time of year that nonprofits ask for donations. Bitch Media is no different; we need ongoing financial support. Usually, we would ask you to make a gift after telling you why you should support us. However, Bitch Media is lucky. We don’t need to tell you why Bitch is important because we can let our supporters tell their own stories. This week, Veronica Arreola, member of the National Advisory Board and contributor, explains why she ♥s Bitch.
As 2010 draws to a close, it’s the time of year that nonprofits ask for donations. Bitch Media is no different; we need ongoing financial support. Usually, we would ask you to make a gift after telling you why you should support us. However, Bitch Media is lucky. We don’t need to tell you why Bitch is important because we can let our supporters tell their own stories. This week, Andi Zeisler, Bitch Media co-founder and editorial/creative director, explains why she ♥s Bitch.
Asking me to talk about why I love Bitch is sort of like asking a pre–health kick Cookie Monster to explain why he loves cookies. As a cofounder and staff member since 1996, I feel like Bitch is so much a part of who I am that I might not be able to adequately (or, for that matter, objectively) answer the question. But I’ll try.
As 2010 draws to a close, it’s the time of year that nonprofits ask for donations. Bitch Media is no different; we need ongoing financial support. Usually, we would ask you to make a gift after telling you why you should support us. However, Bitch Media is lucky. We don’t need to tell you why Bitch is important because we can let our supporters tell their own stories. This week, Everett Maroon, esteemed Bitch Blogger, explains why he ♥s Bitch.
I came out of a cultural studies program with new eyes. We know these moments: we can't read the newspaper anymore. Television is riddled with offensive stereotypes and harmful messages for women, people of color, transgender folks, queer people, and of course, many of us occupy more than one of these communities. Our favorite books, when reread after consciousness raising, disturb us because we hadn't noticed how chocked full of lies they are. We ask to see cultural deconstructions in media. Why aren't there feminist analyses of popular culture?
As 2010 draws to a close, it’s the time of year that nonprofits ask for donations. Bitch Media is no different; we need ongoing financial support. Usually, we would ask you to make a gift after telling you why you should support us. However, Bitch Media is lucky. We don’t need to tell you why Bitch is important because we can let our supporters tell their own stories. This week, Allison Sneider, a member of the Bitch Media Board of Directors and author of Suffragists in an Imperial Age: US Expansion and the Woman Question, 1870-1929 explains why she ♥s Bitch.
The first time I came across Bitch, I was looking through magazines in the supermarket. I flipped through it and thought, "This is coming home with me!" As an academic teaching women’s history, I am involved in many conversations about feminism. But outside the academy, these conversations seem to disappear. I love that Bitch Media, through the magazine, library, blogs, podcasts, forums and more, brings this conversation outside the walls of academia and to a diverse and growing community. Bitch is a conversation worth having.
As 2010 draws to a close, it’s the time of year that nonprofits ask for donations. Bitch Media is no different; we need ongoing financial support. Usually, we would ask you to make a gift after telling you why you should support us. However, Bitch Media is lucky. We don’t need to tell you why Bitch is important because we can let our supporters tell their own stories. This week, Bitch supporter/subscriber/active community member TheBadassMuppet explains why she ♥s Bitch.
When my first-year college professor recommended Bitch magazine in 2004, I was skeptical. While the colloquial definition of "bitch" can be vague, it was a word which had been used to deflate me a number of times, by everyone from conservative family members to online creeps whose comments I had left unanswered. Still, the magazine attracted me. After all, I considered myself a feminist – the word reminded me of Dorothy Allison, characters played by Julia Stiles, and my ten-year-old indignation at a tennis instructor assuming I couldn’t play—but I hadn’t known feminist forums still existed, let alone an ongoing feminist publication.
As 2010 draws to a close, it’s the time of year that nonprofits ask for donations. Bitch Media is no different; we need ongoing financial support. Usually, we would ask you to make a gift after telling you why you should support us. However, Bitch Media is lucky. We don’t need to tell you why Bitch is important because we can let our supporters tell their own stories. This week, former intern extraordinaire Sara Stroo explains why she ♥s Bitch.
When I came across this secret on postsecret.com, I was reminded all over about the reasons I ♥ Bitch. Not only do I love every word of the magazine as a subscriber, but it’s even richer for me since I know the behind-the-scenes story of this awesome organization too. I had the chance to intern in the Bitch Media office for 13 months in 2009 and 2010, and I saw firsthand, every day, how much thought, effort, creativity, and spunk goes into producing each issue, blog post, podcast, and community event. I know that each new sustainer and every dollar that comes in as a donation elicits cheers from the entire office. I know that the operations team, the development team, and the executive director all work together to ensure that the organization is always innovating, while staying true to its mission. These happy memories add an extra layer of love to everything I enjoy from Bitch, and they make the necessity of supporting the organization all the more pressing.
I'm a fitful novelist, former New Orleanian, lady-lovin' PWD, and twentysomething feminist bookworm interested in creative writing, queer rights, literary analysis, disability issues, teen issues, theater, film, sex education, and much more. I've completed two fictional books and one book of poetry, and I'm currently looking for a literary agent.
Prior to opening this account, I wrote for and commented on this site under the handle TheBadassMuppet.
What I'm watching:
Veronica Mars (as a constant), Party Down, Community, Glee
What I'm reading:
I consistently read a lot. My favorite authors are Douglas Coupland, Jaclyn Moriarty, Dorothy Allison, Joanna Russ, Woody Allen, Jessica Valenti, Jennifer Baumgardner, Augusten Burroughs, Lisa Tucker, Nancy Garden, Christopher Moore, Julie Anne Peters, Lori Aurelia Williams, Jonathan Safran Foer, Nicole Krauss, Christina Hopkinson, Ariel Schrag, Marc Acito, Curtis Sittenfeld, Tom Perrotta, Megan McCafferty, Judy Blume, Thea Hillman, Steve Martin, Sasha Cagen, Jaclyn Friedman, Eve Ensler, Wendy McClure, Jennifer McMahon, Bennett Madison, Mark Haddon, Kate Bornstein, Kate Harding, Colin McAdam, Kelley Eskridge, Pablo Neruda, Cristina Henriquez, Frank Portman, Jeff Lindsay, and Heather Corinna.
What I'm listening to:
my usual collection of musicals and '90s rock, pop, and R&B. I also have a minor obsession with uber-trashy Europop.
I consistently read a lot. My favorite authors are Douglas Coupland, Jaclyn Moriarty, Dorothy Allison, Joanna Russ, Woody Allen, Jessica Valenti, Jennifer Baumgardner, Augusten Burroughs, Lisa Tucker, Nancy Garden, Christopher Moore, Julie Anne Peters, Lori Aurelia Williams, Jonathan Safran Foer, Nicole Krauss, Christina Hopkinson, Ariel Schrag, Marc Acito, Curtis Sittenfeld, Tom Perrotta, Megan McCafferty, Judy Blume, Thea Hillman, Steve Martin, Sasha Cagen, Jaclyn Friedman, Eve Ensler, Wendy McClure, Jennifer McMahon, Bennett Madison, Mark Haddon, Kate Bornstein, Kate Harding, Colin McAdam, Kelley Eskridge, Pablo Neruda, Cristina Henriquez, Frank Portman, Jeff Lindsay, and Heather Corinna.
What I'm listening to:
my usual collection of musicals and '90s rock, pop, and R&B. I also have a minor obsession with uber-trashy Europop.
What I'm watching:
Veronica Mars (as a constant), Party Down, Community, Glee
As 2010 draws to a close, it’s the time of year that nonprofits ask for donations. Bitch Media is no different; we need ongoing financial support. Usually, we would ask you to 
I came out of a cultural studies program with new eyes. We know these moments: we can't read the newspaper anymore. Television is riddled with offensive stereotypes and harmful messages for women, people of color, transgender folks, queer people, and of course, many of us occupy more than one of these communities. Our favorite books, when reread after consciousness raising, disturb us because we hadn't noticed how chocked full of lies they are. We ask to see cultural deconstructions in media. Why aren't there feminist analyses of popular culture?
The first time I came across Bitch, I was looking through magazines in the supermarket. I flipped through it and thought, "This is coming home with me!" As an academic teaching women’s history, I am involved in many conversations about feminism. But outside the academy, these conversations seem to disappear. I love that Bitch Media, through the magazine, library, blogs, podcasts, forums and more, brings this conversation outside the walls of academia and to a diverse and growing community. Bitch is a conversation worth having.
When my first-year college professor recommended Bitch magazine in 2004, I was skeptical. While the colloquial definition of "bitch" can be vague, it was a word which had been used to deflate me a number of times, by everyone from conservative family members to online creeps whose comments I had left unanswered. Still, the magazine attracted me. After all, I considered myself a feminist – the word reminded me of Dorothy Allison, characters played by Julia Stiles, and my ten-year-old indignation at a tennis instructor assuming I couldn’t play—but I hadn’t known feminist forums still existed, let alone an ongoing feminist publication.
