You know, when Jersey Shore aired, my first thought was "I wish they would make a spinoff of this show about Iranians, because really, we don't get enough bad press as it is." Lucky for me, MTV read my mind and is creating The Persian Version, which is, um a Persian version of Jersey Shore. From the casting call:
Two thousand years ago the Persian Empire ruled the ancient world…but they didn't have your soundtrack, your style, or your swagger! Today there's a new Persian empire growing right here in L.A. and it's ready to conquer the world all over again. It's a bad-ass new dynasty where exotic beauty and wild style dominates the sexiest nightlife, exclusive venues and hottest beaches the modern world has to offer.
You've got the means, the money, and the motivation to cut through the velvet rope and rule the VIP! For you life is all about Gucci, Gabbana, Cavalli and Cristal. From BMWs and Bugatis, to Mercedes and Movado and money is no object.
Monday marked the release of the music video for M.I.A.'s "Born Free," the lead single off the British rapper/singer/visual artist's forthcoming third album, and yet another clip from a female pop star this year that caused quite a stir. Continuing the discussion begun by the open thread Kjerstin started yesterday, I thought I'd share my thoughts.
My So-Called Life only lasted one season on ABC during the 1994-1995 season. But for a considerable number of folks in my peer group, the critical darling was a huge part of our adolescence, televisual fandom, and nascent feminism.
I never really identified with protagonist Angela Chase (Claire Danes), as she was prone to bouts of maudlin narcissism. I related more to type-A childhood friend Sharon Cherski (Devon Odessa), particularly her struggle to balance advanced course work with a myriad of extra-curricular activities. I also enjoyed Cherski's developing friendship with Deadhead Rayanne Graff (A.J. Langer), who Chase abandons Cherski for early in the series' season-long run. Like Cherski, I wasn't sure what to make of Graff the first few times I watched the show during its initial run on ABC and when MTV re-ran it a few years later. Graff's self-destructive tendencies were frightening, but her creative potential always had me rooting for her.
On Friday, Kjerstin Johnson forwarded me Vulture's post on the music video for Kiely Williams's "Spectacular." Once a member of the girl group 3LW and The Cheetah Girls, Williams has been working on solo projects since 2008, and first tried to dispense with her Disney-friendly image with 2009's "Make Me a Drink." The instrumental version of "Spectacular" was released in October 2009 and the music video was posted on her Web site back in January. The clip was re-released earlier this month and . . . ugh (the video can be viewed here). Now, I don't want to judge folks' sexual proclivities. But there's that and then there's "Spectacular," which is basically a dance track that extols the sexual prowess of a date rapist. No, no, no.
Last month, NBC aired 30 Rock's "Future Husband" episode, wherein TGS creator/head writer Liz Lemon (Tina Fey) tracks down the man she labeled her spouse-to-be on her iPhone. It was a follow-up to the Valentine's Day-themed "Anna Howard Shaw Day," which found the show's heroine spending the most romantic day of the year at the dentist, haunted by hallucinations of ex-boyfriends as the painkillers took hold. Apparently while doped up, Lemon met a British man named Wesley Snipes (Michael Sheen). When they exchanged phone numbers, both parties were looking to settle. "Future Husband" focuses on them not wanting to acknowledge that society thinks their age and relationship status thinks that they should. For those who'd like to watch the episode in full, go here.
As I was anticipating this blog series at the time of my viewing, imagine my good fortune when I realized that Lemon changed her ringtone from Richard Wagner's "Ride of the Valkyries" (i.e., Elmer Fudd's "Kill the Wabbit") to Peaches's "Fuck the Pain Away."