This week on Call the Midwife, there were only two births, and one of them was a piglet. The plot has veered away from focusing exclusively on pregnancy and birth, offering viewers the opportunity to think more broadly about reproductive health.
The hour-long PBS drama follows a group of young midwives in London's East End in the 1950s, led by a convent of Anglican nursing nuns, the Sisters of St. Raymond Nonnatus. The show's premise offers an opportunity to examine reproductive health on television without having to contend with contemporary political quandaries, and provides an excellent teachable moment for the anti-choice among us. Plus, it's just good TV.
Last night, nine million of us set aside our differences, turned on our TVs, and watched Connie Britton and Hayden Panetierre go country. That's right y'all, it was the premiere of ABC's Nashville, a Music City version of All About Eve with enough rhinestones, twang, and Powers Boothe bitchface to fill the Grand Ole Opry (which they did, because the first few scenes were actually filmed there). In keeping with ABC's reputation for primetime soaps, last night's episode set up plenty of fun hot-people-with-secrets drama, but it also set up a tired Madonna/whore dynamic between its two female leads. Set to a kickass soundtrack, of course.