In Outlander, Caitriona Balfe stars as a nurse named Claire who accidentally travels back in time.
Outlander is television series based on the beloved epic novels by Diana Gabaldon. It was advertised as a sexy, funny, supernatural-but-relatively-accurate historical romance featuring a witty heroine, Claire, at the center. It has been billed as “feminism’s answer” to Fifty Shades of Greyand Game of Thrones. That is a bizarrely tall order, but the show managed to make good on every promise—right up until the mid-season finale got seriously rapey.
We’re now two weeks and 2.5 hours into American Horror Story: Freak Show, which means we’ve experienced two anachronistic musical numbers and approximately 1,000 Twisty the Clown nightmares. It’s time to take stock of what exactly the hell is going on with the latest installment of Ryan Murphy’s creepy shockfest.
Last Tuesday, I watched two hyped ABC sitcom premieres, Selfie and Manhattan Love Story. Both, as far as sitcoms go, are treading some fairly well-worn territory: Selfie is a My Fair Lady update for the digital age, so faithful that its two leads (Doctor Who's beloved Karen Gillan and Harold and Kumar's equally beloved John Cho) go by the names "Eliza Dooley" and "Henry Higgs."
Television, historically, has not been a welcoming place for transgender people. "Trans representation" has previously consisted mainly of male sitcom characters relating stories about dating women who turned out to be transgender, and then saying "Eww!"
Things are changing now, though, with the breakthrough success of Laverne Cox on Orange is the New Black and now director Jill Solloway's new half-hour dramedy Transparent. All eleven episodes of Transparent arrive for binge-watching on Amazon today.