Two bearded ladies take a stroll at a Louisiana steampunk festival. Photo credit: infrogmation, via Creative Commons.
During the quarter century since novelist K.W. Jeter playfully invented the term “steampunk,” the neo-Victorian movement has grown into a full-blown literary genre and an energetic subculture. Steampunk is airships and corsets and bizarre glowing weapons. It’s gears and top hats and goggles and mechanical butlers. It’s no-nonsense pistol-toting female scientists and the oppressive cultural restraints that tries to shape them into proper ladies.
Ashley Wagner is a two-time national champion who missed qualifying for the 2010 Olympic team by a hair, a story that was emphasized by the background commentary in this year's Nationals. Her nerves were apparent at the Nationals, and her long program seemed irrevocably marred by two falls. But Wagner was a lock for the Olympic team for one crucial reason—what NBC, the network broadcasting the Olympics, needs more than champion skaters is a good story.
A photo from the San Francisco event marking the International Day to End Violence Against Sex Workers in 2010. (credit:Steve Rhodes, via Creative Commons)
Last month, I dropped my daughter off with my mother and went into San Francisco to be a part of the tenth annual International Day to End Violence Against Sex Workers.
On the train on the way over, I spent some time on Twitter. That morning, news about R. Kelly was blowing up my feed. Finally, it seems like music fans are actually talking about the outrageousness of his new album Black Panties, whose cover and promo campaign include images that are practically bragging about his appetite for black teenage girls.
Man, Rashida Jones really stepped in it, didn’t she? Following up on a series of ill-advised tweets (with the charming hashtag #stopactinglikewhores) aimed at “encouraging” female pop stars to cut it with hyper-sexual stuff already, Jones channeled her inner Sunday school teacher again last week in the pages of Glamour magazine.
Costumes aren't just a Halloween thing for a lot of Americans. Bitch Creative and Editorial Director Andi Zeisler talked with cosplayers at Seattle's Geek Girl Con this month, including Chaka Cumberbatch, about why they think costumes are powerful and what role dressing up plays in their lives.
In this 20-minute conversation from our Dress Up podcast episode, Bitch Creative and Editorial Director Andi Zeisler and Online Editor Sarah Mirk talk with independent fashion designer Adam Arnold and Portland fashion designer-manufacturer Cassie Ridgway about why people love to dress up sexy for Halloween.
A transcript of this conversation is below the cut.
Racism is an integral part of US culture, but the shape and nature of racism changes with every generation. This country’s roots in slavery and colonization gave way to Jim Crow, reservations, and racist immigration policies. Since the late 1960s, we’ve been living in the post-integration era where real progress in a few areas has created a pretense that racism is over. This things-are-so-much-better-now narrative continues in spite of people of color continuing to testify about how racism still affects every aspect of our lives on a daily basis.
As the context of racism changes, what it means to be a white anti-racist “ally” has transformed, as well.
Street harassment has been part of my existence since I was a young teenager, but it wasn't until I was in graduate school in 2006 that I even learned the term "street harassment." I found the term on the website of the Street Harassment Project (founded in the early internet days of 1999). When I learned the phrase, I was so relieved: there was a name for what I experienced. There were other people who hated it, too.