I'm reliably informed that the poster (right) grandly named L'Enfant but more commonly known as Man and Baby wasn't a phenom in the United States like it was in the U.K. Here, it capitalized on the worldwide success of Three Men and a Baby and perfectly captured the sensitive man zeitgeist of the late '80s, becoming one of the country's top-selling posters of all time.
Honestly, I never understood its popularity. Sure, the guy was hunky in that Levi's ad beefcake way, but what was the baby adding? Even as a kid, I associated having children with stress and domesticity; I didn't yet understand that a man caring for his child was considered a novelty.
In both a national and global context where the rates of domestic violence against women are consistently soaring (according to the United Nations Population Fund Report, more 55 percent of women living in India face violence within the home), awareness campaigns and messages which seek to address this particular manifestation of gender-based violence are incredibly pertinent. Calling on women to recognise that they are not alone in what they experience, and highlighting the ways in which this violence manifests itself and affects other facets of a woman's life are key components of such outreach.
"Suffocation is the worst kind of abuse"
"It always starts with the little nicks and cuts"
"Respect the space you really deserve"
"How much longer will you adjust?"
These taglines, part of a far-reaching poster campaign, seem to fit the bill. Or they would, if violence against women were their subject. In fact, they're being used to sell bras.
Taking a cue from feminist art-world culture-jamming collective the Guerrilla Girls comes Australia's Bolshy Divas—anonymous disability activists "in the style of feminist masked avengers, exposing and discussing discrimination, unmet need, and issues which affect people with disability and their families."
Attempts to rid British newspaper The Sun of its topless 'Page 3 Girls' have always failed in the past, with feminists' concerns dismissed as prudery and jealousy. Could a new campaign be about to succeed where others have failed? And what issues does this raise for feminists?
Leroy Moore is a man of action: poet, community activist, artist, feminist... the list goes on. Spend any time in the crip community and his name will inevitably surface, which should come as no surprise. Moore is a walking archive of disability art and history with a gift for broad networking, highlighting artists and activist projects from the Bay area to the Democratic Republic of the Congo. He can school you on disabled musicians from the days of yore, but it must be noted that this man has his finger on the pulse of the vibrant disability art scene- a scene that has blossomed in no small part due to his dedication to spotlighting the intersections of race, social justice, art and crip culture. Additionally, he can wear the hell out of a tuxedo.
Ah, marriage. It's a preoccupation with Republicans: the destruction of it, sex outside of it, the redefinition of it. Promoting marriage was a significant part of the Bush administration's domestic-policy agenda, presumably in an attempt to protect women from the horrors of birth control, single motherhood, abortion, and illicit sexual activity. Whether it's correlating single motherhood with gun violence or railing against the destruction of the sacred institution by the gays, the right wing has a deep-seated jones for getting (straight) couples to the church on time.
As the saying goes, "If you hate hipsters, you probably are one." This is because, while many of us are familiar with the term (especially if describes us), it is obnoxious and has been used to identify numerous non-trends, from mustaches to homesteading to beer to bellies caused by beer. These things exist whether hipsters claim them or not, and drowning them in irony does nothing to change their nature. More usefully though, hipsterism has also been called out in conjunction with other isms like racism and, in a New York magazine piece from earlier this week, sexism.
Welcome to Lady Liquor, where, for the next two months, I'll be writing about the relationship between, well, ladies and liquor. Primarily. I'm interested in the ways women's attitudes about drinking -- and society's attitudes about women who drink -- have shaped history and pop culture. But it's pretty much impossible to talk about those things without also talking about other mind-altering substances (I'm looking at you, War on Drugs); I'd also be remiss not to talk about the relationship between booze and other social justice movements -- like the gay rights movement, which actually started in a bar.
Here in the feminist blogosphere, we spend a lot of time calling out sexism in the media, especially in advertising. Contrary to popular belief, this is not because we are screeching harridans, but because most mainstream advertising is hella sexist. That's why I was extra-psyched to see this new Acer electronics ad featuring Megan Fox as a budding marine biologist who is not, at any point, reduced to a piece of ass.
Regardless of why Lydia Callis has become an overnight celebrity, she's unintentionally brought ASL into the forefront of American media, highlighting not only the vibrancy of the language, but also the necessity of diverse communication strategies- particularly in emergencies.