Miranda July starts her recent Vice photo spread with the following note:
Do you ever feel like an extra in your own life? It seems like I'm
forever stuck in the background, watching other people say and do all
the things I feel inside. One day I'm gonna surprise everyone with my
talents. They will be laughing and crying and texting me so often that
I will be annoyed.
Urban contemporary art magazineJuxtapoz's November issue is the Robert Williams issue, a big-hitter in the underground comics scene and the magazine's founder. Oh, and he drives feminists up the wall with the way his artwork objectifies women. *NSFW and possibly triggering images after the break.*
Etsy, as we all know, is a "female ghetto" – appropriately, there are a lot of vagina-themed products for sale. A lot of people are grossed out by vaginas, women included (I know of a girl who literally vomits at the sight of one and grows nauseous at the mere thought); if you're in the opposite camp and want a way to promote body-positive images that doesn't involve Eve Ensler, read on for a handy guide to the wonderful online world of handmade vagina products! (NSFW)
It's a bird, it's a plane, it's a uterus! Super Hero Uterus Plushie from VulvaLoveLovely
I met her in the backyard. She was soaking up the sun, wishing it would never set. She greeted me with excitement, her energy radiating. When she spoke I could sense she was a strong woman that had worked hard for what she had. I quickly learned that she was a Portland-based writer & director...
In my ongoing attempt to bring you amazing tattoos on queers and/or women--and the often even more amazing stories behind them--I have a treat for you this post. From the vault of a project I'm doing archiving the tattoo stories of people I like, I am happy to introduce you to Arwen--a fantastic artist, a beautiful writer, and an old friend.
"My responsibility as an artist is to work, to sing for my supper, to make art, beautiful and powerful, that adds and reveals; to beautify the mess of a messy world, to heal the sick and feed the helpless; to shout bravely from the rooftops and storm barricaded doors and voice the specificity of our historical moment."
That incredible statement is by Carrie Mae West, who began taking pictures in 1960s San Francisco to document the political, and grew to make her photographs the political, taking on historical construction of race, gender, and representation.