Yesterday Gawker reported that Girls creator Lena Dunham would not be paying the opening acts on the tour for her book Not That Kind of Girl. This was a galling financial revelation given that this is not a typical book tour—an author with a miniscule travel budget hoping to fill seats at a few bookstores—but a 12-city extravaganza where tickets to see the author and opening local performers were going for $38 a pop. By the end of the day, Dunham had responded to the criticism with a pledge to pay the opening acts.
In early August, a team of six people fanned out across the New York City subway system, putting up sticky notices that look like the could be official city notices. But if subway riders stopped and read the small posters, they would see that they actually bore the image of a pair of hands and a message about abortion.
I associate the phrase “Live Through This” with Hole’s 1994 album of the same name—itself a nod to Vivien Leigh’s Gone With The Wind monologue, or perhaps Courtney Love’s own tumultuous coming of age. New York-based photographer Dese’Rae L. Stage (above) sees it instead as a mantra for those who have survived suicide attempts. In a way, “Live Through This” is a dare.
An Oregon Christmas tree farm worker, photographed as part of the Pineros project.
In 100 different homes across Portland this winter, Christmas trees were adorned with unusual ornaments: instead of tiny Santas and candycanes, the evergreen branches were also graced with glass ornaments etched with the name of a farmworker who helped grow and harvest the tree.
The scene is familiar to any fancy home design magazine reader: the perfectly appointed living space full of gleaming surfaces, fluffed up pillows, artfully arranged flowers next to tasteful objets d’art. But painted in to this pristine domestic landscape is the woman who is actually responsible for the polishing and dusting and cleaning of the space—Edith, a brown-skinned woman waiting for her check.
From February 25th through March 8th, an exciting exhibition of women's socially engaged graphic art called Feminist Pencil filled the Borey Gallery in St. Petersburg, Russia. Curators Victoria Lomasko and Nadia Plungian collected comics, posters, and street art from Russian, Ukrainian, and European activist artists.
On April 5, when you walk down your street, you may see women’s faces looking back at you from the walls you pass. Women whose gazes tell you they are: Defiant. Assertive. Proud. Strong. Brooklyn-based artist Tatyana Fazlalizadeh drew these women for her Stop Telling Women to Smile art project.
For a few hours on Saturday, March 1, 100 red quilts covered in words lay over the west lawn of the US Capitol. Together, the bright squares formed the first public display of a project called The Monument Quilt, a crowd-sourced story collection and art project about sexual violence.
“I will read, believe and be transformed by every story here,” one anonymous visitor wrote on a blank swatch of fabric. “I so badly needed an ally to be there for me when I came forward with my own story.”