From February 25th through March 8th, an exciting exhibition of women's socially engaged graphic art called Feminist Pencil filled the Borey Gallery in St. Petersburg, Russia. Curators Victoria Lomasko and Nadia Plungian collected comics, posters, and street art from Russian, Ukrainian, and European activist artists.
On April 5, when you walk down your street, you may see women’s faces looking back at you from the walls you pass. Women whose gazes tell you they are: Defiant. Assertive. Proud. Strong. Brooklyn-based artist Tatyana Fazlalizadeh drew these women for her Stop Telling Women to Smile art project.
For a few hours on Saturday, March 1, 100 red quilts covered in words lay over the west lawn of the US Capitol. Together, the bright squares formed the first public display of a project called The Monument Quilt, a crowd-sourced story collection and art project about sexual violence.
“I will read, believe and be transformed by every story here,” one anonymous visitor wrote on a blank swatch of fabric. “I so badly needed an ally to be there for me when I came forward with my own story.”
It's well known that female artists are underrepresented in art museums, but what about in our more modern and malleable institutions?
Next week, groups of artists and tech-savvy folks around the country are taking aim at gender imbalance in representation of female artists on Wikipedia. The "Art + Feminism Edit-a-Thon" being held in New York on February 1st has inspired simultaneous editing marathons in 17 other cities, all focused on adding more female artists to the public encyclopedia and fleshing out the meager entries of existing women artists.
Every year on Halloween, evangelical religious groups set up hell houses: horrific theatrical events that showcase sins like fornication, abortion, and same-sex relationships—sounds like a scarring experience for those who don’t take shame in these ‘sins.’ Yet for the participants in these hell houses, their artistic efforts are a form of activism. This year, Toronto-based feminist artist Allyson Mitchell, along with a crowd of community members, constructed and performed Kill Joy’s Kastle: A Lesbian-Feminist Haunted House. Outlining the horrors of feminist pasts and presents, the hand-made installation and queer-crafted performance exorcised from the grave things which scare those both outside and inside of Mitchell’s artist, activist, and academic community.
I took a trip to the lesbian-feminist haunted house to experience the spookiness.
Design Week Portland takes over the Rose City this week, including many events that highlight the work of feminist, queer, and female artists. There are dozens of events, so Bitch Art Director Kristin Rogers Brown and Museum of Contemporary Craft Associate Curator Sarah Margolis-Pineo put together this list of their favorite picks.
This month, Bitch collaborated with women-in-literary-arts group Her Kind to ask poets thought-provoking questions about art and language. Here, poets Stalina Villarreal and Ire'ne Lara Silva talk over issues of likability, art, and how to "write from your cunt."
If you don't know the work of Australian artist TextaQueen, lucky you, getting to learn about the portrait artist for the first time. The "felt-tip-marker super-heroine" creates bright, colorful drawings that incorporate cultural imagery into self-portraits and drawings of others. Though they're created with such simple art tools, Texta's portraits show complex layers of identity, shaped by her perspective as a queer, political, Catholic-raised, Australian person of color.
As Bitch hits issue #59 with Micro/Macro, I thought I would shine a light on some of the "micro" behind-the-scenes thought that goes into the eye candy you see in our pages. This post features sketches from illustrator Adriana Vawdrey.