With her music swiping a big chunk of the 1980s, Pip Brown fittingly named herself Ladyhawke after the 1980s Michelle Pfieffer movie. Her music is evocative retrofuturistic electropop, nostalgia without a loss. Read on for more.
Cool kids (like our editorial intern Mel, for example) may have been tipped off to Austra long ago through lead singer Katie Stelmanis' work with the band Galaxy, but I only recently discovered this Toronto-based trio and I am loving them!
Radio DJs have long been important in making records hits and promoting of unknown artists and new genres, and this is no less true for electronic music. Read on for more about UK radio DJ Mary Anne Hobbs and her influence on underground music over the last decade.
Freestyle, house, reggae, electronica... what do the subcategories of dance music have in common? Terrific female artists, for one! Welcome to a '90s-heavy BitchTape for a party, a pre-party, or just an empty office! Track list and space for your own jams after the jump.
With the extra amount of cultural pressure placed on women to discipline our bodies, it's unsurprising that some female artists would use the vocal effect to make their art and critically reflect on their relation to technology. Plus, and I can't stress this enough: Vocoders sound cool.
Christina Ryat has been making electronic music as RYAT since 2006 (fans of Electo Feminisms take note!). She recently teamed up with Tim Conley and their debut album Avant Gold came out last month from Obvious Bandits.
After talking about the means of production in electronic music, today I want to spotlight something the Berlin label Monika Enterprise. Founded by a woman, Gudrun Gut, Monika bucks the usual trend of women-as-exception, with a strong female roster and a regular spotlight on new artists in its 4 Women No Cry CD series, which brings together four women from four different countries.
Read on for more...