Iyadede starts off her album, The Demo, saying, "If you have this record in your hand most likely you are an eclectic individual and I salute you for that." The word eclectic could not be more appropriate for Iyadede; she has lived all over the world and uses these experiences as fuel for awesome electropop music.
Does anyone else organize their iTunes by season? Singer-songwriter Anaïs Mitchell is the artist that got me started doing it, as no single album reminds me more of summer than her 2010 folk opera Hadestown. It's drenched in sunlight, warm voices, young love, and, as Kristin mentioned in her Preacher's Daughter series, a feminist perspective on Greek tragedy. Her latest album, Young Man in America, is spring; all births and unfoldings and discoveries, and an occasional dip back into winter dark. Point being, Mitchell is a songwriter for all seasons, one of young American folk music's best, and she's getting better and better.
You know that moment when you're singing along at the top of your lungs to a song on the radio and you look around at your friends in the car, only to realize that instead of joining in they're all staring at you in disbelief? And then they have to explain to you that, no, there's not a "bathroom on the right" in that CCR song, and you've been singing the lyrics wrong for YOUR ENTIRE LIFE? Those songs we've always heard wrong are called Mondegreens, and I've made a mix of 12 of them (crowdsourced around the office and on Facebook) for today's BitchTapes. Be sure to share your own Mondegreens in the comments—they are completely hilarious.
I don't think I'm alone when I say I can't stand saxophones in rock music. To work through my fear of sax, and to help any fellow saxophobes out there, I've dug up ten exceptional uses of the sax in rock. Think of it as saxophone exposure therapy.
It's Friday, which means (at least for some of us) that it's payday! Which for most of us also means being able to pay rent, go grocery shopping, and splurge on a microbrew instead of PBR at the bar this weekend. This playlist, inspired by Hall & Oates' "Rich Girl," is all about women's relationships with the green: wanting and needing it, wishing and working for it, pretending to have it, and not caring either way.
Digital artist and kickass musician Erika M. Anderson (EMA) released her latest single today, "Take One Two." Not only is it a great song, it comes with a touching (and nostalgia-inducing, for those of us who were teens during the '90s) video, and the proceeds go to a great cause. Take a look at the video (and read what Erika hopes viewers take away from it after the jump):
We've had Karaoke-themed BitchTapes in the past, but as an enthusiast of the sport who has seen far too many dud performances (and given a few myself), I'd like to revisit the topic and offer some helpful Karaoke don'ts. Let these songs serve as a guidebook of sorts, to keep you from looking like too much of a fool the next time you get on the mic.