This Friday's mixtape is curated for Bitch from the folks behind the Feminist Playing Cards deck. "Queens of my Feminist Heart" features songs by the hearts of the project, a deck of cards featuring 56 feminist musicians illustrated by 14 feminist artists. The deck showcases musicians who have made strides towards women's equality, whether through their music, career, personal achievements or activism.
Formed in response to the fact that the world needs more art, music and culture made by and for queers, Not Enough! Queer Music and Arts festival is a celebration of all new and collaborative bands, film, performances and visual art made by queer folk!
This marks the festival's 4th year. During the last three years, artists and musicians have created 47 bands and performances (as well as multiple films and visual art pieces) specifically for the festival. Many of these groups have gone on to continue to perform and record. Inspired by the Portland festival, Not Enough Fests have happened in New Orleans and Winnipeg.
This year's festival will happen on October 19th at SMYRC in Portland, OR. Read more info on dates and times and how to attend at NotEnoughPDX.com.
Many feminists recall a number of moments that served as their political awakening. Those formative experiences stick out in our memory as times when we said, in more or less words, “I’m over it.“ For me, one of those light bulb moments struck while hearing TLC’s “No Scrubs” on a South Florida pop radio station for the first time.
Now, indie label K Records is releasing a double CD (and double LP) retrospective of their work, “Sooner or Later,” which pulls together the band’s rough recordings from 1978-1983. Listening to the album from guitarist Jennifer LoBianco (and, later, Meg Hentges), drummer Pat Baum, and sisters Kim and Kt Kincaid feels like hearing music that’s “from the end of the pen, the stroke of the brush, a hit across the back of the head with a 2x4” that is “joyous to the extreme,” as K Records founder Calvin Johnson puts it.
The 45-track album “Sooner or Later” goes on sale on October 15, but K Records is streaming the album on Bitch for free this week only. UPDATE 10/16: This album stream is now done. But you can listen to two songs for free below.
Nothing to Fear:
The details on The Neo Boys' album release party is below the cut. it sounds great!
Lovers: They love most things. From left is Emily Kingan, Kerby Ferris, and Carolyn Berk. Photo via CMJ.
Never was a band so perfectly named as Lovers. As we talked over coffee last week about their new album, A Friend in the World, and upcoming national tour, a fan from England who happened to overhear the coffeeshop conversation stopped by the table to warmly great the artists. That's typical for the Portland electro-pop trio, who compare their performances as community celebrations akin to weddings and say they're far too sincere and loving to be a "cool" band.
Scottish synthpop band Chvrches has become wildly popular in the last year. That popularity has a sad, dark side for lead singer Lauren Mayberry, who wrote a column in The Guardian this week noting that she now has to sort through dozens of sexually aggressive messages every day on her band's Facebook page.
I danced to JD Samson's music years before I knew her name. As part of the Le Tigre trio, Samson's punky pop-friendly beats and vocals thumped across all my friend's high school mixtapes. Now, the proudly queer and feminist performer is releasing Labor, the second album of her Brooklyn-based band MEN. It's an upbeat, fiery electronic album that you can put on repeat three times in a row and still want to hear again. You can pre-order the album now, BTW.
I talked with Samson in September about activism, making money, and her very first band.
Autumn is the best season for new music, in terms of sheer volume. Musicians record all winter, road test in the spring, play the hits on summer festival stages, and put out the new material in the fall. To kick off the season, I've chosen nine of the best feminist artists' songs and albums coming out in September or October.
There's disco here, and rock, folk, punk, American blues via Malian Bambara, and more. Let us know what you think, and tell us what you've been listening to this month!
Sometimes, I love a song so much that all I want to do is listen to that song over and over and over, until it has become a permanent part of my brain. This is my relationship to Dolly Parton's master work "Jolene." Some days, all I want is "Jolene," all the time.
And thus, my perfect mixtape: 15 versions of "Jolene," back-to-back-to-back. Enjoy!
Funny side-note: After I put together this mixtape, I discovered that Autostraddle did the exact same thing a year ago! Clearly, this is a thing. Also, there are so many "Jolene" covers in the world that our "Jolene"-only tapes actually don't include many of the same versions. The two tapes are best listened to one right after another, in my opinion.
Track list is below the cut—though reading through it kind of ruins the fun.
The Julie Ruin just about burned down the stage at Portland's Time Based Arts festival last Thursday night. The group kicked off the contemporary arts festival as part of a national tour to celebrate their album Run Fast and as frontwoman Kathleen Hanna launched into their raucous playlist, the room suddenly felt hot, sweaty, and electric.
It's a big deal for Hanna to be on stage at all. The singer who brought seemingly boundless energy to Bikini Kill and Le Tigre has spent the last six years dealing with the effects of Lyme Disease, which hinders both physical and neurological abilities. When we spoke in early September, Hanna talked about living with an invisible disease, how vulnerability can create true confidence, and how the best thing that ever happened to riot grrrl is critique.