In the new Hunger Games film, Katniss is the kind of rebel who still makes a great Barbie branding opportunity.
I have a soft spot in my heart for Katniss Everdeen. I mean who doesn’t? She’s the cornerstone of her family, she is a total slayer with her bow and arrow, she’s got a sweet braid in her hair, and she’s committed to overthrowing the despotic ruling class.
Amy Adams and Christoph Waltz star as Margaret and Walter Keane in the new film Big Eyes.
Director Tim Burton is best known and most beloved for his stories of odd, outcast men, from Edward Scissorhands to Ed Wood to Charlie and the Chocolate Factory. The stranger-than-fiction biopic Big Eyes is only the second of his non-animated pictures to have a woman at its center, and, perhaps not surprisingly, it's one of the richest portraits he's brought to the screen yet.
Historical dramas often stick to a tried-and-true formula: Important figures face struggles, then they triumph, becoming the great people we know today. We can usually count on a scene from their conflicted childhood, scenes showing their romantic troubles, any issues with drugs or alcohol, and how they persevered through it all to deliver whatever divine message or artistic gift they possessed.
Ava DuVernay’s new Martin Luther King Jr. biopic, Selma, avoids this formula—much to its benefit.
In the remake of Anniethat hit theaters this weekend, Quvenzhané Wallis stars in the title role. That itself is thrilling: The film not only tells the story of a feisty girl, but a feisty young girl of color.
Meryl Streep (and some fingernail extensions) play The Witch in new film Into the Woods.
It’s hard not to envy Meryl Streep. Her illustrious career aside, her staggering talent aside, and her ability to pull off both the frothiest camp roles and the most measured dramatic turns aside, she just seems to know how to have fun.
In all honesty, I needed several Wikipedia pages to fully understand Vice Films’ tagline for Ana Lily Amirpour’s film, A Girl Walks Home Alone at Night. It is presented as “the first Iranian Vampire Western” and has also been described as noir, spaghetti western, Iranian New Wave, pulp, and “feminist-romantic.” It’s clear that the first Iranian romantic-new-wave-vampire-pulp-spaghetti-western ultimately resists categorization.
A mysterious email. An invite for encrypted conversation. The pieces of director Laura Poitras’ new film fell into her lap, but she didn’t realize how significant these small messages would wind up being.