Sarah Sparks loves technology. A freelance tech geek, she fixes everything from new computers to old radios and calls her home pregnancy test a "nifty gadget." When its digital face displays the word "pregnant," she comments to boyfriend, Leon, "It's actually a pretty good quality font for a disposable," before recognizing that her life is about to be altered by a much less predictable technology. In first time feature directors Annie J. Howell and Lisa Robinson's Small, Beautifully Moving Parts, Sarah (Anna Margaret Hollyman) is ambivalent about her pregnancy.
Alison Bagnall's The Dish and the Spoon opens with Rose (Greta Gerwig) despondently crying as she drives to the beach—clad in pajama bottoms, a boxy coat, and knit cap—after discovering her husband's infidelity. Taking refuge from the winter air in a WWII watchtower, she discovers a young British drifter (Olly Alexander) shivering inside.
Like many connoisseurs of young adult lit, I've been excited and wary about the upcoming film adaptation of Suzanne Collins' The Hunger Games. On Friday, I greeted the news that Jennifer Lawrence had nabbed the part of protagonist Katniss with nothing but dismay. Now, I didn't like Winter's Bone as much as many seemed to, but Lawrence's performance was powerful, and I'm sure she's capable of the emotion necessary to play the mockingjay.
Here's the thing, though: In the books, Katniss is clearly not white.
On Friday, I saw the Noboru Iguchi, Yoshihiro Nishimura, and Tak Sakagucki-helmed Japanese flick Mutant Girls Squadas part of the Northwest Film Center's Portland International Film Festival (PIFF.) From the synopsis, I expected a girl power-y saga of young women bonding over their new superpowers and fighting off comic book-esque villains at each other's behest... something like X-Men meets D.E.B.S. (the latter of which I will defend until my death, and not just because of name loyalty). Basically, I went into Mutant Girls Squad thinking it would be ridiculous and entertaining. I was half right.
Comments, spoilers and a gruesome trailer after the jump!
This is the last week to catch the Portland International Film Festival, which the Northwest Film Center has been running since February 10th, screening several films a day in venues around Portland. One of the films on our radar here at Bitch was Pink Saris, a British documentary about a gang of women in Uttar Pradesh, India who wear hot pink saris to demonstrate their revolt against tradition and patriarchy. See the trailer and read what we thought after the jump...
Via What Tami Said, The Fat Body (In)Visible is a neat, new, 25-minute independent documentary about fat acceptance and fashion featuring Keena Bowden and Jessica Jarchow. Keena and Jessica share their experiences of people judging their mere existence just because they're fat, becoming empowered through fashion, the intersection of race and fatness, and finding community. Oh yeah, and there are tons of cute outfits!
Taking its title from rapper T-Love's song, Nobody Knows My Name is about female participation of hip hop culture as MCs, DJs, breakers, and producers, despite being obscured by a recording industry that doesn't know how or care to figure out how to sell their product.