Taking its title from rapper T-Love's song, Nobody Knows My Name is about female participation of hip hop culture as MCs, DJs, breakers, and producers, despite being obscured by a recording industry that doesn't know how or care to figure out how to sell their product.
In the wake of critical interest over Darren Aronofsky's Black Swan, a comparison between Peter Weir's Picnic at Hanging Rock and Dario Argento's Suspiria, two mid-70s features about how young women escape a Victorian-era boarding school and a European ballet conservatory.
My thoughts on Phillip Noyce's Rabbit-Proof Fence, an adaptation of Doris Pilkington Garimara's book about her mother and female Aboriginal relatives, who escaped an Australian re-education camp in 1931.
A discussion of 2009's Toe to Toe, writer-director Emily Abt's full-length feature debut about two teenage lacrosse players who develop an interesting relationship despite differing racial and class backgrounds.
We close week five of our series of movies that pass the Bechdel Test with the first star-making vehicle for a lead actress. Honduran American novice America Ferrera charmed audiences with her feature debut in director Patricia Cardosa's 2002 indie sleeper Real Women Have Curves, which was distributed by HBO Films.