Things are shaky and spooky in Vanessa Renwick's short films. Watching her films, I'm never really sure where I am or why I'm there or what will happen, but I'm compelled to go along for the ride. Renwick, now 51, shot many of her tiny films on hand-held film cameras in late eighties and early nineties, drawing on her own wildly varied life experiences for subject matter.
So I saw Jurassic Park 3-D last night. I know. It was $17. That's ridiculous. But if there's one movie from my childhood worth revisiting on the big, three-dimensional screen, it's Jurassic Park. This was actually the very first movie I remember seeing on the big screen when I was a kid and I clearly remembered all the famous dino scenes—the dilophosaurus melting Newman's face, the T-Rex eating the lawyer, the "clever girl." But I had forgotten one major element of the film: Dr. Ellie Sattler is the best!
It's a given that the Middle East has a long way to go as far as LGBT acceptance is concerned. Remember that sound byte of Ahmadinejad claiming that Iran doesn't have any homosexuals? Turkey is supposed to be the most secular and liberal Muslim country in the Middle East, yet its religious, right wing government still considers homosexuality to be a disease.
Artistic mediums always have innovators, those people who weren't afraid to try new things with paint, words, light, film. Director Jeffery Schwarz's new film I Am Divine creates a portrait of how revolutionary drag superstar Divine brought drag from society's margins to the mainstream in his fearless and innovative way.
A medic—who was sent away—checks out James Chasse's injuries as police sip coffee.
Cases of police brutality are reported time and time again across the country. And yet, despite the passing of years and supposed reforms, we are always taken aback when new cases arise.
Seven years after one particularly awful case in Portland, Oregon, the new independent documentary Alien Boy: The Life and Death of James Chasse captures the horror once more. The film is a chilling, intimate look at one case of police brutality and the flawed justice system that allows officers to act with impunity.
Director Shola Lynch spent eight years researching intricacies surrounding activist and scholar Angela Davis—she wanted to make sure that her film documenting Davis's controversial 1972 murder trial got the story right. And, well, she did.
A review and clip of her new film Free Angela and All Political Prisoners are below the cut.
In Stoker, Director Park Chan-wook follows 18-year-old India Stoker (Mia Wasikowska) as she carefully navigates the suspicious arrival of her Uncle Charlie (Matthew Goode) at her father's funeral. The film nods to Hitchcock's classic Shadow of a Doubt; there's a mystery and a possible murder, but, like in Hitchock, the story is really about India's psycho-sexual awakening.
I had this awkward moment at the Paramount Theatre in Austin after the frenzied SXSW premiere of Harmony Korine's much-hyped Spring Breakers. I liked the film; I was beaming when washing my hands in the ladies room.
"Urgh, that was such an AWFUL movie," some girl in an expensive dress and platinum badge said behind me.
"It was so gross," her equally disgusted friend added. I wiped the smile off my face and quickly sidled out.