Movies

Bechdel Test Canon: Pumzi

In a recent interview with Samantha Burton for Bitch, Kenyan writer-director Wanuri Kahiu recalled a lovely endorsement she received from a film festival attendant in Zanzibar. Speaking of her 2009 short Pumzi, he said:

“If you ask everybody here, ‘What exactly happened in that film?’ they wouldn’t be able to tell you. But if you ask everybody here, ‘What was that film about?’ they would be able to tell you.”

I’d like to talk to the man quoted above—as well as Kahiu—because I’m not sure if I know what this film is about.

Bechdel Test Canon: High Art

Ally Sheedy shooting Radha Mitchell in High Art

In Lisa Cholodenko's High Art, Ally Sheedy and Radha Mitchell demonstrate that making love with your muse is part of the creative process.

The Athena Film Festival: Workshop, Watch, & Win!

athena film festival logo banner in blue. a white woman is holding a camera in the background

The second annual Athena Film Festival kicks off on February 9 on the Barnard College campus. Founded to honor extraordinary women for their leadership and creative accomplishments, the festival will screen films made by and about women all weekend, as well as hold free (free!) workshops for filmmakers. How fun! If we lived in New York we'd definitely attend, and if you live there you should!

Double Rainbow: Snow Cake

Sigourney Weaver and Alan Rickman in Snow Cake

Snow Cake is a 2006 independent drama starring Alan Rickman and Sigourney Weaver. Shortly after Rickman's character picks up a young hitch-hiker, he is in a sudden, brutal accident and the girl is killed. Paralyzed by guilt, he tries to reconcile with the girl's mother, portrayed by Sigourney Weaver, who happens to be autistic.

That is an intriguing premise. Too bad the film is stunngingly, bafflingly awful.

Bechdel Test Canon: Illusions

Rosanne Katon in Illusions

Writer-director Julie Dash returns to the Bechdel Test Canon with her 1982 short film Illusions, which asks some mighty big questions about the racial and sexual politics of constructing images and a film industry that finances the production of those images.

The 99%: "Finding North"

a young white woman holding an animal

This is the second of three posts on films from the 2012 Sundance Film Festival addressing inequality, poverty, and social class.

Finding North is a title so perfect it doesn’t fully sink in until after you’ve finished watching the film.  The documentary by filmmakers Kristi Jacobson and Lori Silverbush doesn’t allude to it at any point during its 84 minutes (except in song lyrics during the opening credits), but it provides a powerful paradigm for the rest of the film: quite simply, any country whose citizens go hungry while there is enough food has lost its direction and must get back on course.

Bechdel Test Canon: An Angel At My Table

Jane Campion's biopic An Angel At My Table feels far more epic in its devotion to writer Janet Frame's small moments than courtroom scenes that turn history into playacting and battle sequences that turn soldiers into figurines. These are the films women should be making. They are often the films I want to see, particularly if they fail to receive Academy recognition.

Double Rainbow: Mattie Ross

young Mattie Ross holding a gun and wearing a wide-brimmed hat

Mattie Ross, the young protagonist of the Coen brothers' acclaimed 2010 film True Grit, is so compelling and memorable because she is so odd. Her eccentricities are characterized by what I would call "autistic difference" but, given the nature of the film, my aim is not read autism onto Mattie. I want to map Mattie onto autism.

The 99%: "The Queen of Versailles"

A blond white woman in a fancy house surrounded by children. She appears overwhelmed

Lauren Greenfield's film The Queen of Versailles is both an infuriating and humanizing portrait of the economic collapse from the perspective of one of the country's richest families.

The Sky is Blue, Water is Wet, and the Oscar Nominations are a Big Feminist Disappointment

This morning, the nominees for the 84th annual Academy Awards were announced. And this morning, as has happened every Oscar nominee morning for the past 83 years, the roster of hopefuls is filled with white dudes.
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Deb Jannerson

Deb Jannerson

Bitch Media

Bitch Media
Who I Am: 

I'm a fitful novelist, former New Orleanian, lady-lovin' PWD, and twentysomething feminist bookworm interested in creative writing, queer rights, literary analysis, disability issues, teen issues, theater, film, sex education, and much more. I've completed two fictional books and one book of poetry, and I'm currently looking for a literary agent.

Prior to opening this account, I wrote for and commented on this site under the handle TheBadassMuppet.

What I'm watching: 

Veronica Mars (as a constant), Party Down, Community, Glee

What I'm reading: 

I consistently read a lot. My favorite authors are Douglas Coupland, Jaclyn Moriarty, Dorothy Allison, Joanna Russ, Woody Allen, Jessica Valenti, Jennifer Baumgardner, Augusten Burroughs, Lisa Tucker, Nancy Garden, Christopher Moore, Julie Anne Peters, Lori Aurelia Williams, Jonathan Safran Foer, Nicole Krauss, Christina Hopkinson, Ariel Schrag, Marc Acito, Curtis Sittenfeld, Tom Perrotta, Megan McCafferty, Judy Blume, Thea Hillman, Steve Martin, Sasha Cagen, Jaclyn Friedman, Eve Ensler, Wendy McClure, Jennifer McMahon, Bennett Madison, Mark Haddon, Kate Bornstein, Kate Harding, Colin McAdam, Kelley Eskridge, Pablo Neruda, Cristina Henriquez, Frank Portman, Jeff Lindsay, and Heather Corinna.

What I'm listening to: 

my usual collection of musicals and '90s rock, pop, and R&B. I also have a minor obsession with uber-trashy Europop.