A feminist protest march in August 1970, as seen in She's Beautiful When She's Angry. Photo: Diana Davies
Present day. Women and men wear red and boost signs bearing the message: DON’T MESS WITH TEXAS WOMEN. From the rally stage, a woman speaks into a microphone. “We should have the right to choose,” she says.
In 1967 movie Wait Until Dark, a sadistic criminal, played by Alan Arkin, traps housewife Susy (Audrey Hepburn) in her New York apartment, forcing her to fight him to the death. Watching the film recently, my mind toggled back and forth between critiquing its ludicrous plot and surrendering to the terror it depicts. What lends such an absurd movie such real power over my mind?
It’s the boogieman no kids talk about on playdates or at birthday parties. You don’t mention it in the living room, on the porch, or by the baby’s crib. It’s the dark feeling you don’t know how to put into words, the one that keeps you up at night and haunts you during the day as a parent or caretaker. It’s the Babadook.
In the new Hunger Games film, Katniss is the kind of rebel who still makes a great Barbie branding opportunity.
I have a soft spot in my heart for Katniss Everdeen. I mean who doesn’t? She’s the cornerstone of her family, she is a total slayer with her bow and arrow, she’s got a sweet braid in her hair, and she’s committed to overthrowing the despotic ruling class.
Amy Adams and Christoph Waltz star as Margaret and Walter Keane in the new film Big Eyes.
Director Tim Burton is best known and most beloved for his stories of odd, outcast men, from Edward Scissorhands to Ed Wood to Charlie and the Chocolate Factory. The stranger-than-fiction biopic Big Eyes is only the second of his non-animated pictures to have a woman at its center, and, perhaps not surprisingly, it's one of the richest portraits he's brought to the screen yet.