Over the past several months, I have found myself increasingly depressed and enraged by what seems to be endless stories about sexual and physical violence directed toward girls. There is something that tends to haunt our culture’s thinking about girls: suspicion.
Back in March, I wrote about my frustration with reading Disney's princess books to my daughter. Instead of reading her the actual words of the Snow White tale, I've taken to freestyling an alternative storyline where Snow White is an empowered dance instructor who also loves fresh fruit. A lot of people responded that they were also annoyed by the all the helpless princess storylines, but others noted that the princesses have evolved. “Disney princesses have come a long way in the 70 years since Snow White," wrote one reader.
In some ways, this is true. In other ways, the princesses are worse now than they were in 1940.
This morning in the doctor’s office waiting room, I leafed through a copy of Ladies' Home Journal and landed on an article called,“The Thinking Woman’s Guide to Cleavage.” The article pairs tips for covering up your cleavage with a sidebar of celebrity’s “buzzworthy boobs.”
This is a real article. And it would be perfect fodder for the new women’s magazine parody website Reductress. Just launched last week, Reductress takes aim at media stuffed with “buzzworthy boob” profiles the way The Onion spoofs 24-hour newspapers.
Among all the comedy online, Reductress stands out as genuinely fresh and funny. Just look at these headlines:
Dove has a new gimmick in their "real beauty" ad campaign: Hiring a sketch artist to draw a woman as she describes herself, then as she's described by a random stranger.
But recently, rhetoric has taken the issue even further. Current public education campaigns imply that we have a civic duty to tell women when they should get pregnant and reinforce the idea that pregnant women’s bodies are public property.
Today we finally have something to applaud in Steubenville: A guilty verdict. Many people were holding their breath in the high-profile rape case, expecting that despite clear evidence of the two defendants’ guilt, our legal system would fail the victim. We thought we’d once again be talking about how a star athlete escaped prosecution.
It’s sad, but finding these rapists guilty is exceptional. According to depressing statistics, only nine percent of rapes in America result in prosecution. Though incarceration is clearly not the sole solution to rape, the fact that these two small-town stars will spend at least a year in a juvenile detention facility sends an important message that people regardless of social status can be held accountable for committing sexual violence.
“Who says women don’t write serious nonfiction?” ask the editors at Creative Nonfiction, the largest literary magazine dedicated to publishing exclusively high quality nonfiction prose. The meaty essay section in their winter issue, titled “Female Form,” happens to feature (surprise!) solely women writers. In a fortuitous coincidence, the release of “Female Form” dovetails with the most recent national count of the gender of media-makers, the VIDA count.
The VIDA count is a staggering annual statistical breakdown showing the rates of publication between women and men in several respected literary outlets. This year, the count reveals that men continue to have 70 percent of bylines in mainstream media. VIDA, a burgeoning organization of women in literary arts, conducted the first count in 2011, hoping to initiate a long overdue conversation about gender discrimination in the publishing world.
“We did not go into this thinking we knew the answer to something and this was going to illustrate it, because this is a complicated issue,” VIDA co-founder, Erin Belieu, told Mother Jones last April. “But you can't deny the starkness of such an incredibly wide discrepancy.”
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