Mallika Dutt is the founder and CEO of Breakthrough, an organization that "uses the power of media, pop culture, and community mobilization to inspire people to take bold action for dignity, equality, and justice." Breakthrough has been successfully integrating social justice messages with pop culture and media for years now, whether it's the 3D video game ICED (I Can End Deportation) or the ad campaign Ring the Bell, calling on men and boys to end violence against women. Their latest project is America 2049, an interactive Facebook game that takes place in the dystopic, but not-so-distant future. I spoke with Mallika about the process behind developing America 2049 and how her organization uses popular culture and media to start conversations about human rights.
It's time for another episode of Bitch Popaganda! Tune in as Julie, Brian, and Kelsey discuss HBO's new George R.R. Martin series Game of Thrones and "Funny Like a Guy: Anna Faris and Hollywood's woman problem," a profile by Tad Friend in this week's New Yorker.
Not many bands mix post-punk with feminism, with Jewish heritage. At least, no one does it like the Brooklyn-based four piece the Shondes.
Alyx Vesey, who's a Bitch contributor and runs the blog Feminist Music Geek spoke with the Shondes—Louisa, Temim, Eli, and Fureigh—at this year's South By Southwest Festival. Feminism and activism is an important part of how the Shondes make their music, and in the following interview you can hear how it impacts not just their writing but their work in the studio and on tour. The band also talks about reclaiming the word shonde, Yiddish for "disgrace," what it's like to deal with heartache as an activist, and their affinity for Bruce Springsteen.
In this episode of Popaganda, Kjerstin, Deb, and Julie chat about AMC's new series The Killing, Slate's confusing article on gerontophilia, and the revelation that the Candies' Foundation spent seven times the amount on Bristol Palin that it did on preventing teen pregnancy.
Jennifer K. Stuller isn't your average Buffy the Vampire Slayer fan--she's a charter associate member of the Whedon Studies Association. In this episode of Read My Bitch, the podcast for Bitch magazine fans to read out loud a favorite article from the archives, Stuller revisits Rachel Fudge's article "The Buffy Effect: or, a Tale of Cleavage and Marketing," which was published in 1999, after the second season of the television series Buffy the Vampire Slayer. In our discussion afterwards, Stuller, a pop culture critic (author of Ink Stained Amazons and Cinematic Warriors and Grrrl on Film Bitch guest blogger), goes beyond what Buffy represents to feminists, but what legacy the Buffy has left--and what the future holds in store for small-screen heroines.