Calling all funny feminists! We are in possession of not one but FIVE copies of Randa Jarrar's fabulous book A Map of Home (reviewed in the Buzz issue) and we're jonesin' to give them away! And guess what? All you need to do to obtain a copy of this red-hot prize is enter the Bitch Magazine Feminist Joke Contest!
Look! The book wants you to enter and win!
So give us your best feminist joke in the comments section and this book (and all the fame and glory that goes with it) could be yours! The winners will be selected in one week. So what are you waiting for? Get joking!
As if gay marriage weren't sweet enough already, Ben & Jerry's and Freedom to Marry have teamed up to present us with Hubby Hubby, a renamed version of their popular peanut butter & pretzel-y ice cream. Check it out:
Newsweek has a piece on their website right now entitled, "How To Get A Raise: Stop Being Good" by Jessica Bennett. In it Bennett reviews a new book, Rachel Simmons' The Curse of the Good Girl which is about how raising girls to be "good" can actually be, well, bad when it comes to their careers. The book sounds pretty great, though not necessarily surprising. (Guess what? Women are socialized to be too nice to be taken seriously in the workplace!) Still, it's nice that Newsweek is addressing these issues for the not-necessarily-feminist set.
However, a lot was missing from the article, and a lot was there that frankly shouldn't have been. For example, as a photo essay accompaniment to the piece, Newsweek gives us "11 Powerful Women That Make Men (and Other Women) Squirm". While writing about the problems of the "psychological glass ceiling" that keeps many women from feeling confident in the workplace, isn't Newsweek perpetuating that same shit by basically calling women like Hilary Clinton, Martha Stewart, and Anna Wintour (and yes, they are all white women except for Yoko Ono) terrifying?
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South African runner Caster Semenya has been making international news for a week or so now, and this week's Douchebag Decree is honor of those news outlets and blogs that have handled the blown-out-of-proportion debate over Semenya's gender the worst. It turns out that not only are pundits and bloggers jerks about Semenya herself, but have some other unfortunate sexist hangups as well. Let's see what this gang of douchebags had to say, featuring supplemental douchey content the comments from the original posts and a Douchebag Decree honorable mention!
Bitch's Fall 2009 Consumed issue is hitting mailboxes and newsstands as we speak! If you can't wait (or aren't a subscriber), check out a few of the articles online—"Ladies' Camp Rock," "Feast of Burden," and a point/counterpoint on Meghan McCain. And peep our snappy new layout below. (For those of you who are pink-averse, know that upcoming issues will have a rotating second color.)
When it comes to Current TV, we here at Bitch thought we'd found a one-Bitch-one-woman sitch with our crush Sarah Haskins. However, it might be time for an open relationship, because we are omgsoinlove with Bryan Safi and his Current show That's Gay. Check out the latest episode on lady kisses!
Even though our sign got jacked a few days ago (we're gonna find you, s***bags!), Bitch Media's week has been pretty rosy. A successful subscription campaign, a new issue coming down the pipeline, and now a great write-up from the independent magazine for independent magazines, UTNE reader! Danielle Maestrettie couldn't have concluded her piece better: "Take a cue from Bitch and put your fate in your readers’ hands." Our readers have consistently supported us, and as Maestretti pointed out, it's you, not our advertisers, whose support (financial and emotional!) has allowed us to ride the shifting tide of newsprint.
Like our Save Bitch campaign, our readers exceeded our expectations to help sustain Bitch. Over five hundred people subscribed or renewed in two weeks, supporting the magazine AND saving some bucks before the subscription price increased (and for price-per-ounce cheapskates like me, that's a win!), proving once again not only how much you care, but that our readers are the real reason Bitch is just staying afloat. We really feel like the luckiest folks around for having the best readers, subscribers, Twitter followers, letter-writers, etc!
Maestretti got another thing right--we are back! While folks around the office have been anticipating (and editing, proofreading, and laying out) the Consumed issue, it's always fun when we get sent sample copies! We're really excited about the new layout, and it looks like you think so too! Check out sample layouts on our Facebook page!
It was made known to us last night (by a big hole in the wall) that our Bitch door sign has been stolen! Here is a photo of the purloined sign in its former glory (in case you need to make an I.D.):
Red alert, readers! Lock up your signs because there is a thief on the loose! If you see this sign floating around NE Alberta Street (or in some jerkwad's apartment somewhere) please bring it back to us! Our sign was a donation from Ferrousity and we really feel it tied the whole office together.
And to the major A-hole(s) who decided it was cool to take this sign in the first place: Congratulations! We hope your friends are impressed by your feats of thievery. You should feel especially proud of yourself since we are a nonprofit organization, which means that money for a new sign will have to come out of funds that would have gone toward hosting community events, publishing our print magazine, and obtaining books for our free lending library. So, you know, way to go on the whole stealing thing.
And another thing, thief: If, by chance, you stop feeling quite so good about your crimes, or your d-bag friends stop being impressed by your ability to steal a sign that says the word "bitch" on it (hilarious!), please return our sign to us. We won't be mad; we just want our darling sign back in its rightful place above our door. If, however, you do not feel any remorse for stealing the sign of a struggling, independent, nonprofit organization, then hopefully said sign is not too big to shove up your ass.
Every year, Advertising Age publishes a special report (and subsequent ceremonial luncheon) called Women to Watch that highlights the great work being done by women in the fields of advertising, marketing, PR, and social media. Apparently, because they are super-organized market-y type people, Ad Age also sends a question in advance to each of the honorees that they then answer in front of the group at the ceremonial luncheon. This year, the question posed was "Why do there continue to be so few female creative directors at ad agencies?"
Here is Tiffany Kosel of Crispin Porter & Bugusky with her answer: