Inga Muscio’s Rose: Love in Violent Times is a heart-wrenching journey, with ups and downs, depressing moments mirrored by inspirational ones. It is beautiful, and though it largely continues with Muscio's usual themes of feminism and antiracism, I would file this book under “ecofeminism” as well.
Muscio’s latest, published last year, picks up where her classic Cunt: A Declaration of Independence left off. Rose is divided into two sections: Violence and Love. It's written in Muscio’s standard conversational yet highly informed tone, touching on history, culture, and anecdotes from her own life, seamlessly sewing it all together in a beautiful, diverse patchwork quilt. “Violence” talks about violence in our culture, engrained as it is, and speaks much about rape and safety.
Need some new reading material? These three new indie comics by Kate Skelly, Angie Wang, and Julia Gfrörer will take you from an outer galaxy to a zombiefied forest, and will keep you occupied (and perhaps up all night with every light turned on). Click through for more!
As a teacher to high school children, whenever we discussed social justice in the worlds of books we read, one question that would repeatedly come up was, “How do we understand privilege, if you say it is all around us—how can we work with the 'lowest' common denominator if there will always be more walls and more marginalization?”; and I remember not being to answer that question most of the time. By the end of the year, as a class, what we could loftily conclude was where our own privileges and marginalizations lay; given that we did all that we could to “not speak for others.” Of course, we should have realized that growing up in Bombay meant we were speaking for others; coming of age in the decades of neoliberal economic policies in the cultural capital of the country does that to a generation of people—by being the very people who later India Shining addresses, we yield that kind of power. The privilege to voice someone else’s story, and to use our particular frame to view their lives.
Trans icon Kate Bornstein's memoir, A Queer and Pleasant Danger: The true story of a nice Jewish boy who joins the Church of Scientology and leaves twelve years later to become the lovely lady she is today, shines a bright, unflinching light on self-image, gender, and life on the far edge of the fringe.
GeekRadical.org is in its final push in a Kickstarter campaign to publish a Feminist Speculative Fiction anthology through PM Press. The goal is to “emphasize women's speculative fiction from the mid-1970s onward, looking to explore women's rights as well as gender/race/class/etc. from as many perspectives as possible.”
Hello good readers of Bitch blogs! Starting this week for the next twelve weeks, I’ll be blogging at Bitch about Indian feminist books and films and I might quite possibly “ruin” India for many of you (it’s a superpower of mine, I’m often told) and I’m hoping in turn you’ll “ruin” my impression of north-Atlantic feminisms (which in my experience have not been of the most dedicated listeners). Apart from the sense of accomplishment I get while rupturing romanticized versions of India—because really, who wouldn’t be happy to break bubbles like: “What do you mean there are no tigers on the street? So this tattoo really means "my father is over there" in Sanskrit? Why can’t I like, go to tribal camp?”—I also hope that this break in lines of thought and action will make us talk and listen to one another.
Bryant Terry’s The Inspired Vegan is aptly named; it’s truly, well, inspiring. Terry, who dubs himself an “eco-chef,” is more than just a cookbook author, and this is more than just a cookbook. It is a delicious spark of revolution and call to action, and filled with many delectable recipes, along with the music, literature, and art that inspired his menus. It is an ode to movements and people that fight for justice, set to an infectious soundtrack.