Full disclosure: I have not actually read anything by YA fiction author Maggie Stiefvater. However, I was tipped off to her existence earlier this week while reading Smart Bitches, Trashy Books and was instantly charmed. Watch this video, in which Stievfater predicts which mythological creature will usurp the vampire in YA romance popularity:
We here at Bitch are pleased as punch to announce that we've got a booth at this year's Wordstock Festival! If you're anywhere near the Portland area, you don't want to miss this. Tons of great authors, an amazing book fair, fun events, and Bitch! Awww yeah.
Bitch is lucky enough to get special things in the mail from readers, makers
and doers from time-to-time. Recently, one of these packages arrived
for me from Kelly Abeln, Editor and Art Director of the publication, 'Cult of Flowers'.
To the three or so people out there who did not dress as Sarah Palin for Halloween last year: Fear not. This year you can go as Sarah Palin, bestselling author! That's right, the former governor of Alaska and perpetual wackjob has a book out on November 17 entitled Going Rogue: An American Life. It will undoubtedly be available at a corporately-owned and homogenized chain bookstore near you in time for the holidays. What a maverick!
Only the rogue-iest of rogues would publish a memoir with HarperCollins!
"Rave On" is the Page Turner series that asks feminist writers, artists, musicians, activists, leaders, and scholars to talk about a book that completely rocked their world. Today we feature writer Mattilda Bernstein Sycamore on the memoir Close to the Knives, by David Wojnarowicz.
In the early '90s, everyone was dying—that's how it felt, it felt like everyone was dying. We were the first generation of queers to grow up knowing that desire meant AIDS meant death, and so it made sense that when we got away from the other death—the one that meant marriage, house in the suburbs, a lifetime of brutality, both interior and exterior, and call this success or keep trying, keep trying for more brutality—it made sense that everyone was dying, because we had only known death.
Queer heroes were dykes, or they were dying—some of the dykes were dying too, but not as fast, unless it was suicide or a cancer they hadn't mentioned, cancer like childhood sometimes you can't say it. So when I found David Wojnarowicz, he was already dead; I didn't find him, I found his words.
There's a surprising gap of research, let alone feminist research, on female superheroes from comics. Trina Robbins has turned out some amazing books on women and comics, including one on female superheroes, but she can't do it alone (and good luck trying to find her work at your nearby Barnes & Noble). That's why I'm excited about Mike Madrid's new book The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines not to mention the fantastic online resource he put together to go along with the volume. Read on for more!
"Rave On" is the Page Turner series that asks feminist writers, artists, musicians, activists, leaders, and scholars to talk about a book that completely rocked their world. Today we feature journalist and scholar Tiny, aka Lisa Gray-Garcia, on the novel Comfort Woman, by Nora Okja Keller.
I had heard about the brutal rape and enslavement of the "comfort women" from Korea in World War II from an Asian-American scholar. I remembered listening to a few words and my mind crumbling into small particles of despair. As the daughter of a tortured woman, I'm never able to hear about hurt inflicted on women and children, man or animal, without bits of mi Corazon y mi alma breaking apart.
The following is the first installment of a semi-regular blog highlighting books in Bitch Media's new Community Lending Library.
Lillian Hellman was a handful. She was the first female playwright on Broadway, one of the first women screenwriters in Hollywood, a controversial memoirist, a boozehound and a socialite, a Leftist sympathizer who gained fame and was subsequently blacklisted for her refusal to testify against her friends during the McCarthy hearings (she famously responded to a subpoena with, "I refuse to cut my conscience to fit the fashion of the times"), and an all-around tough cookie. This collection of plays showcases Hellman's best talent: hard-nosed storytelling full of wit and style.