In my last post, I critiqued a chapter of Tony Attwood's The Complete Guide to Asperger's Syndrome. Now I'm taking a look at Asperger's and Girls, a slim collection of essays in which Attwood and others tackle the intersection of Asperger's and gender.
Or, rather, in which they attempt to take on that intersection.
Well, he tells non-autistic people to make lemonade, specifically. Guess who the "lemons" are in this metaphor.
Popular fiction both shapes and reflects cultural attitudes. In a previous post, I picked apart the film Adam and expressed concern over the film's troubling conclusion that people with Asperger syndrome—and by extension all autists, since Asperger's is thought of as a "mild form of autism"—are simultaneously too childlike and too threatening to maintain healthy romantic relationships.
This is a reflection of the attitude that pervades Tony Attwood's A Complete Guide to Asperger's Syndrome, a popular nonfiction book that often serves as an introductory text to Asperger syndrome for lay readers.
Harry and Katniss are very different heroes because they live in very different worlds. But if I had to guess whether most people felt their world more closely resembled the private boarding school with clear-cut lines between good and evil, or the dystopic district with frustrated and struggling neighbors, I'd say there's a real reason Katniss's mythology has captured audiences as thoroughly as Harry did in his more prosperous heyday.
I have combined choice Girl Land quotes with cat photos here to both illustrate the ridiculousness that is this book and to keep you from having to read it yourself. Plus, everything—even rage-inducing Flanaganisms—is easier to handle when accompanied by a cat photo.
In Harry Potter, then, social class is a way of telling us something about the characters more than the actual lived reality or a source of conflict that it becomes in The Hunger Games. This is because in the wizarding world, power doesn't come just come from money and other forms of social privilege, power comes from magic—and it seems that magic is quite an equalizer.
CALYX Journal begins its 36th year of publishing fine art and literature by women with its winter 2012 issue (vol. 27, no. 3). This self-described feminist literary journal allows women's voices to be front and center, which is why its four female founders created it in 1976. Referencing a recent survey conducted by VIDA: Women in Literary Arts the introduction in the summer 2011 issue of CALYX points out that women's voices are still highly marginalized in the literary journals and magazines, making their mission as relevant as ever.
One of my 2012 resolutions is to get back in the books game. I'm resolving to read two new(ish) books a month, even if it means cutting down on the number of TV episode recaps I read online. What about you? Do you have any literary resolutions (or suggestions for contemporary books to add to my growing list)?
Have you ever wondered what it would be like to be sent to a nonsensical, exclusive modeling school where girls acquire magical powers that allow them to convince people to buy useless products? Me neither. But Tyra Banks has.
Martha Grover has been publishing her zine Somnambulist since 2003. The first collection of this zine, One More for the People came out on Tuesday from Perfect Day Publishing, a small press based out of Portland, OR. Unlike other zine collections, One More for the People is not a linear anthologizing of Somnambulist, but instead a selection of writing from the zine along with some new work, allowing the book to stand alone in its own right.
One More for the People is a beautiful, substantial book, both in content and design. With letterpressed covers and thick paperstock there is an attention to detail that comes from being born out of the DIY/ zine community with its nostalgia for the tactile act of packaging words.
I asked Martha a few questions about her book, her zine, and how to keep reading her work.
Jeanette Winterson is probably the most quotable author I have ever read, especially for those of us who live passionately, love obsessively, and believe that art can (and will) change the world. If you ever want a cool literary tattoo just read one of her books—you are sure to find some kind of quote that resonates. With the release of her memoir Why Be Happy When You Could Be Normal? in October (in the U.K—official U.S release date is March 2012), the harsh reality of Winterson's upbringing stand out even more starkly against the layers of her non-linear, heavily metaphorical, fictional work.