In Harry Potter, then, social class is a way of telling us something about the characters more than the actual lived reality or a source of conflict that it becomes in The Hunger Games. This is because in the wizarding world, power doesn't come just come from money and other forms of social privilege, power comes from magic—and it seems that magic is quite an equalizer.
CALYX Journal begins its 36th year of publishing fine art and literature by women with its winter 2012 issue (vol. 27, no. 3). This self-described feminist literary journal allows women's voices to be front and center, which is why its four female founders created it in 1976. Referencing a recent survey conducted by VIDA: Women in Literary Arts the introduction in the summer 2011 issue of CALYX points out that women's voices are still highly marginalized in the literary journals and magazines, making their mission as relevant as ever.
One of my 2012 resolutions is to get back in the books game. I'm resolving to read two new(ish) books a month, even if it means cutting down on the number of TV episode recaps I read online. What about you? Do you have any literary resolutions (or suggestions for contemporary books to add to my growing list)?
Have you ever wondered what it would be like to be sent to a nonsensical, exclusive modeling school where girls acquire magical powers that allow them to convince people to buy useless products? Me neither. But Tyra Banks has.
Martha Grover has been publishing her zine Somnambulist since 2003. The first collection of this zine, One More for the People came out on Tuesday from Perfect Day Publishing, a small press based out of Portland, OR. Unlike other zine collections, One More for the People is not a linear anthologizing of Somnambulist, but instead a selection of writing from the zine along with some new work, allowing the book to stand alone in its own right.
One More for the People is a beautiful, substantial book, both in content and design. With letterpressed covers and thick paperstock there is an attention to detail that comes from being born out of the DIY/ zine community with its nostalgia for the tactile act of packaging words.
I asked Martha a few questions about her book, her zine, and how to keep reading her work.
Jeanette Winterson is probably the most quotable author I have ever read, especially for those of us who live passionately, love obsessively, and believe that art can (and will) change the world. If you ever want a cool literary tattoo just read one of her books—you are sure to find some kind of quote that resonates. With the release of her memoir Why Be Happy When You Could Be Normal? in October (in the U.K—official U.S release date is March 2012), the harsh reality of Winterson's upbringing stand out even more starkly against the layers of her non-linear, heavily metaphorical, fictional work.
Sometimes the best books about sex simply state the obvious: masturbation feels good, most women require direct clitoral stimulation to orgasm, fat people have and (gasp!) enjoy sex (and with all kinds of partners!). Hanne Blank's newly released edition of Big, Big Love is a prime example of how sex shame can be fought hardest by basic acknowledgment and normalization, sending us the big, big, loving message that no one should be deprived of a pleasurable, healthy and satisfying sex life. The second-coming (har-har) of Big, Big, Love (first published in 2000) is more of a total overhaul of the old version, complete with new illustrations, modern gender- and sexual-identity inclusion, interviews that tackle everything from "fatshion" to the carnal joys of flesh-folds, and a current resource list that makes it clear that Blank isn't the only one having, promoting, and writing about hot n' heavy, sexy, sexy sex.
Critic and poet Wayne Koestenbaum has written a new book that is not what I'd call a "feel-good read." I could call it some other things instead, like "queasy" or "discomfiting," or I could take Koestenbaum's sentiments and try to protect myself from the inherent humiliation of the written word by not writing anything about it at all. Except if I didn't write anything it would make for a very boring Bibliobitch post, so I guess I'll take a deep breath, aware that I'm risking exactly what this book discusses, and tell you a little bit about Koestenbaum's Humiliation.
Dorianne Laux's fifth book of poetry, The Book of Men, was released earlier this year. Spoiler alert: It is NOT ACTUALLY A BOOK OF MEN. It is a book of earth, and sex, and war, and food, and even a book of Cher. Yep. Cher. After reading The Book of Men I immersed myself in Laux's other books, and have emerged remembering what is best about reading poems.
Inside This Place, Not of It: Stories from Women's Prisons is the ninth book in the Voice of Witness series, which carries the Studs Turkel torch by using oral history to share stories from the margins of America. Inside This Place has thirteen accounts from people who have been—and several who remain—incarcerated in women's prisons. Editors Robin Levi and Ayelet Waldman and a team of nineteen interviewers conducted over seventy interviews with thirty individuals over the course of ten months.