It's something I can never quite put my finger on but I use certain songs to play my own emotions like a musical instrument, to change the way I feel (as long as I can handle feeling something intensely).
It's no surprise weather patterns appear so often in music. They, like music, can shape and reflect our moods at any given time. More importantly, they're good for a seemingly infinite number of metaphors. They can change from minute to minute. Just like your aching heart. They can rain on your parade. Just like, you know... rain. They can brighten up the ENTIRE PLANET! Just like EVERYTHING ELSE can, when you're having one of those days when everything is golden and drenched in sunshine and "Mr. E's Beautiful Blues" is your own personal theme song. It all starts in the sky. With that, global warming, and the constantly-changing weather of autumn all in mind, this week's BitchTapes is a big ol' shout out to Mother Nature.
Side note: It was incredibly hard for me not to put "Mr. Sun" by Raffi on this list. The things I do for hipster cred... Forgive me, Raffi. You are #1 in the playlist of my heart.
Buke & Gass (featured on our Action podcast) aren't your average duo from Brooklyn. For one, they have almost the same name (Arone Dyer and Aron Sanchez). For two, they traded in their ukulele and guitar for a buke and a gass.
Happy Monday! I wanted to offer something a little light-hearted to start off the week, so I decided to dedicate this post to a few fierce fat female recording artists that have rocked my world and provided a counterpoint to how fat women are viewed in society. These women are all in control of their own image, their own unique styles, and have managed to find success in an industry that isn't all that friendly to non-Katy Perry looking women.
To wrap-up our coverage of this year's Musicfest Northwest queer and female musicians, we just wanted to share a final wrap-up of some of the live shows we saw, from little kid audiences to confetti-throwing back-up dancers, starting with Seattle rappers THEEsatisfaction...
I think there's a great comic book to be made about Shonen Knife. The story would start in an Osaka office building in 1981, where twenty-somethings Michie Nakatani, Atsuko Yamano, and Naoko Yamano decided to start a band as an antidote to their dull clerkships. They started a power-chord pop band, but kept it mostly secret from their family and co-workers until 1982, when they played their first show and released their first album on cassette-only. Their American cross-over first really took hold when they were included on a 1986 Sub Pop compilation, and Olympia's K Records released a new version of their debut album Burning Farm to underground and alternative rock fans in the US. The major-label pique was with Capitol, with one of their best-known albums, Let's Knife, were on MTV rotation, and toured with Nirvana right before their release of Nevermind (Kurt Cobain said seeing Shonen Knife live transformed him "into a hysterical nine-year-old girl at a Beatles concert.")