What happens when we have a female artist who only makes instrumental music? One of the things people might say when they hear instrumental music is that it's neutral, that it's impossible to tell the sex of the musician from the sound. But reading feminist theory has taught me to be suspicious of anything that claims to be neutral and unmarked. Read on for more about the instrumental music of Ikonika.
With her music swiping a big chunk of the 1980s, Pip Brown fittingly named herself Ladyhawke after the 1980s Michelle Pfieffer movie. Her music is evocative retrofuturistic electropop, nostalgia without a loss. Read on for more.
Cool kids (like our editorial intern Mel, for example) may have been tipped off to Austra long ago through lead singer Katie Stelmanis' work with the band Galaxy, but I only recently discovered this Toronto-based trio and I am loving them!
Radio DJs have long been important in making records hits and promoting of unknown artists and new genres, and this is no less true for electronic music. Read on for more about UK radio DJ Mary Anne Hobbs and her influence on underground music over the last decade.
Freestyle, house, reggae, electronica... what do the subcategories of dance music have in common? Terrific female artists, for one! Welcome to a '90s-heavy BitchTape for a party, a pre-party, or just an empty office! Track list and space for your own jams after the jump.
With the extra amount of cultural pressure placed on women to discipline our bodies, it's unsurprising that some female artists would use the vocal effect to make their art and critically reflect on their relation to technology. Plus, and I can't stress this enough: Vocoders sound cool.
Christina Ryat has been making electronic music as RYAT since 2006 (fans of Electo Feminisms take note!). She recently teamed up with Tim Conley and their debut album Avant Gold came out last month from Obvious Bandits.