In sci-fi classic The Handmaid's Tale, women's bodies are controlled and seriously policied by society.
We can all agree that fetal alcohol syndrome is a tragedy. But although American public awareness campaigns about the dangers of drinking while pregnant have good intentions at heart, recent media initiatives have deployed tactics that shame moms while ignoring bigger issues. Instead of helping improve the lives of women and kids, these public action campaigns veer into borderline Handmaid’s Tale territory.
In this episode, we look at the way movies and music discuss reproductive rights, including an analysis of Nicki Minaj lyrics, a history of American sex-ed films, and an exploration of the how movies make abortion seem more dangerous than it really is.
More ways to listen to this show are below the cut.
Saved by the Bell premiered 25 years ago this summer. We're sure to be seeing a lot of loving retrospectives of the sitcom about six friends in an upper-middle class high school, so I'm here to say that nostalgia has not made the show any more digestible. Instead, watching the show today feels like consuming a television relic.
This Monday morning, July 14, moms who had received welfare and their allies gathered outside the White House singing about the need to recognize mothering as work, to the tune of "Walking in a Winter Wonderland."
I associate the phrase “Live Through This” with Hole’s 1994 album of the same name—itself a nod to Vivien Leigh’s Gone With The Wind monologue, or perhaps Courtney Love’s own tumultuous coming of age. New York-based photographer Dese’Rae L. Stage (above) sees it instead as a mantra for those who have survived suicide attempts. In a way, “Live Through This” is a dare.